Reader, have you ever heard of a gentleman who was asked in company to sing, and who did not raise a thousand objections, although he was all the while dying to exhibit his vocal abilities? Have you ever seen the lady who was asked to play at a party, and who did not excuse herself in fifty ways, although she had been practicing the whole day previous for the occasion? If _you_ have, _I_ have not. Nor have I ever met with a person who, when called upon for an anecdote, did not declare it was not worth repeating, or that he or she was certain it had been heard before. So it was with Mrs. Scroggins; we had to beg of her for this legend for about a quarter of an hour, after which, like the vocalist and the pianist, under similar circumstances, she consented. THE LEGEND. The convent of Hickle-path Hill, which two or three centuries since is said to have presented a very imposing appearance, is now represented by a few tottering remnants of walls, which all of you, I suppose, have often seen on a clear day from the front window. A little beyond them, to the right, are the ruins of a castle, which formerly belonged to the Bassett family. About the latter half of the fifteenth century, Sir Hugh Bassett occupied the castle, which was then large and strong. He had a daughter called Agnes, an only child, and a beautiful girl. She was the admiration of every one who beheld her, and a standing toast at every feast in the neighborhood. Her hair was said to have been raven-black, her eyes dark, large and sparkling; her cheeks fresh as the leaves of a full-blown rose; her teeth like pearls; her form and figure, “stately, like a queen.” At least she was evidently very pretty; I wont say, for I can’t say, she realized this description, for it seems as if copied from the pages of a modern novel—and we know that there all heroines are alike, superior to any thing ever seen in this world.