Graham's Magazine, Vol. XL, No. 5, May 1852Various
General
Graham's Magazine, Vol. XL, No. 5, May 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
In a narrow cross-street of one of the most obscure suburbs of the city,
stood a dilapidated house, the small attic of which was tenanted by an
elderly man and his daughter, the former of whom was now lying
motionless upon his bed, either insensible or asleep; and to judge from
his wasted and ghastly appearance, approaching near the confines of that
world where the weary spirit finds release and rest. Beside him, at a
small table, sat a young girl of singularly sweet and interesting
appearance, without what a common observer would designate beauty, and
yet with “something than beauty dearer,” irradiating her calm, pure
face; a soul-light from within, shining and giving to it that heavenly
expression which reminded one of the angelic faces which beam from the
breathing canvas of Raphael. Her soft, brown hair fell back in wavy
curls from her smooth brow, and in her dark hazel-eyes, with their
long-fringed drooping lids, there was a depth of unrevealed and gentle
sensibilities, and a lurking tenderness around her mouth, which
indicated timidity and sweetness—some might have thought it weakness,
had not the slight and graceful curve of the upper lip rescued it from
that suspicion—denoting a firm, if a gentle soul, and a courage strong
to dare and endure in the path of woman’s duty, thorny and rugged though
that path might chance to be.
On the small table before her lay a cluster of snow-white camelias, with
a few other flowers of equal beauty. Whence, at so inclement a season,
came those frail and delicate blossoms into that bare and lonely attic?
A nearer glance informed the gazer that those lovely imitations of
Nature’s fairest forms were of wax, moulded by the skill and taste of
the young artist into such perfection as to deceive the most practiced
eye. Thrown by a series of afflictive dispensations wholly upon her own
resources for the support of her sick father and herself, Rosalie La
Motte had exercised in turn her various accomplishments to avert the
want and destitution which menaced her—but notwithstanding the elegance
of the various articles which she produced, she found it difficult to
obtain purchasers for them, though she did not hesitate to seek a sale
for them at the shops, and even to offer them at the doors of some of
the finest houses of the city. They were generally turned over with
indifference and dismissed, or purchased at half their value, by those
who thought more of making a good bargain than of aiding the pale and
delicate girl who was so nobly struggling against poverty and
misfortune.
Public-domain text, read in full here on John Shaqi.
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