Graham's Magazine, Vol. XL, No. 6, June 1852Various
General
Graham's Magazine, Vol. XL, No. 6, June 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Moore was now very famous. Lalla and the Melodies gave him a reputation
only second to that of the noble young “Childe Buron” himself. His
“Fire-Worshipers” was quoted with fervor in Ireland; the songs in his
“Light of the Harem” had charmed all the world; a herd of imitators
sprang up like mushrooms, and bulbuls, peris, roses, flashing swords,
and sparkling goblets, were the general order of the day. In the
meantime, Moore went with Mr. Rogers to Paris. There he gathered the
materials of the Fudge Family, which he published on his return.
In 1819 he traveled again to Paris, in company with Lord John Russell;
and both went thence to Italy. Lord John passed on to Genoa, and Moore
proceeded to visit Lord Byron at Venice, where the noble exile lived in
a very savage condition, drinking gin and water o’nights, and writing
his heart out. There the poets passed some agreeable days together,
riding along the Lido together, and going over the lagoons in a gondola.
It was on this occasion that Byron confided to Moore his “Memoirs,” to
be used as the latter should think fit. Moore afterward sold them to
Murray for 2000 guineas. But when Byron died, his widow and family
interfered, and induced Moore to withdraw and burn the
manuscript—forfeiting the money, of course. Moore has been blamed for
consenting to this sacrifice. But it is very likely he has preserved in
his Life of Byron every thing of interest contained in the papers, and
that very little was lost, except certain scandalous particulars, which
the world would very willingly let die—though the offal-eating
scandal-mongers of the day groaned horribly under the privation at the
time. After leaving Venice, Moore went to Rome. He confesses that, in
the midst of the ruins and splendors of past Roman civilization and art,
he was painfully conscious of his own want of artistic taste and
enthusiasm. He says that a sunset on the Simplon touched him with more
admiration than any thing he had seen in the Italian galleries of art.
This would hardly have been expected from Moore, who has been termed the
poet of artificial things. After his return from this tour, he published
his Rhymes on the Road and the Fables of the Holy Alliance.
Public-domain text, read in full here on John Shaqi.
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