Graham's Magazine, Vol. XL, No. 6, June 1852Various
General
Graham's Magazine, Vol. XL, No. 6, June 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
At Sloperton, Moore wrote, also, his History of Ireland and the
Biographies of Richard Brinsley Sheridan, Lord Edward Fitzgerald, and
Lord Byron—the last the best of the three, a biography ranking with
Boswell’s Life of Johnson, and Lockhart’s Life of Scott. After his
“Captain Rock,” Moore published the “Irish Gentleman in search of a
Religion,” in which he girds at all Protestant doctrine, with his usual
power of theologic reading and pointed argument; and then gave to the
world his “Epicurean;” in which he intertwines his favorite ethics of
religion with the frame of a very dull story. Moore’s mind had a strong
devotional tendency, and seems to revert—with a sense of its own
insufficiency—to the problem of existence beyond the last scene of all
that ends the strange eventful history of life. His doubtings, if he
ever had any, seem to have taken ultimate refuge in Catholic orthodoxy.
He was, in fact, a dutiful son of mother Church: and great was the
uneasiness he exhibited, lest his friend, Lord Byron, should adopt, in
all their force, the atheistical ideas of Percy Bysshe Shelley, with
whom his lordship had become very intimate, in Italy. Moore earnestly
expostulated with Byron on the project of the “Liberal” newspaper, got
up by the restless Childe and supported by Hunt, Shelley, and Hazlitt.
He told his lordship that such a conjunction, with such a radical
purpose, was very far from respectable—not by any means respectable
enough for an English nobleman to engage in.
The last productions of Moore were those light and satirical verses
which appeared in the Morning Chronicle and other papers, up to 1837.
They are the happiest things of their kind, in the world, and to those
who can admire the gay dexterities of wit, woven into the tapestry work
of rhyme, they possess an interest surviving the subjects of them. In
the interweaving of pointed and witty things with the flow of colloquial
phraseology, Moore has shown himself more skillful than any of his
contemporaries, and no writer of the present day can match him.
Public-domain text, read in full here on John Shaqi.
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