see them yet again before I could fully satisfy myself whether this inexpressible, proudly, joyous glance is one of wisdom or of stupidity! I could almost fancy it might be the latter, when I contemplate the expression of gentle majesty in the head of the Grecian Jupiter. Nevertheless, whether it be wisdom or stupidity—these representations of ancient Nineveh have a real grandeur and originality about them. Were they then representatives of life there? Was life there thus proud and joyous, thus unconscious of trouble, care, or death, thus valiant, and without all arrogance? Had it such eyes? Ah! and yet it has lain buried in the sand of the desert, lain forgotten there many thousand years. And now, when they once more look up with those large, magnificent eyes, they discover another world around them, another Nineveh which cannot understand what they would say. Thus proudly might Nineveh have looked when the prophet uttered above her his “wo!” Such a glance does not accord with the life of earth. In comparison with these latest discovered but most ancient works of art, the Egyptian statues fall infinitely short, bearing evidence of a degraded, sensual humanity, and the same as regarded art. But neither of these, nor of the Elgin marbles, nor of many other treasures of art in the British Museum, which testify at the same time to the greatness of foregone ages, and to the power of the English world conquering intelligence, shall I say any thing, because time failed me rightly to observe them, and the Nineveh marbles almost bewitched me by their contemplation.