Graham's Magazine, Vol. XLI, No. 1, July 1852Various
General
Graham's Magazine, Vol. XLI, No. 1, July 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
At court, the humor of a king
Is always voted “quite the thing;”
Morals and cloaks are loose or laced
According to the sovereign’s taste,
And belles and bouquets both are dressed
Just as his majesty thinks best.
Of course, in that delightful age,
When Richard ruled the roast,
Cracking of craniums was the rage,
And beauty was the toast.
Ay! all was laugh, and life, and love;
And lips and shrines were kissed;
And vows were ventured in the grove,
And lances in the list;
And boys roamed out in sunny weather
To weave a wreath and rhyme together:
While dames, in silence and in satin,
Lay listening to the soft French-Latin,
And flung their sashes and their sighs
From odor-breathing balconies.
* * * * *
_The Howadji in Syria. By George William Curtis. Author of “Nile
Notes.” New York: Harper & Brothers. 1 vol. 12mo._
Mr. Curtis has the finest genius for description among the myriad
tourists of the day. His observation is clear, accurate and
comprehensive, and the picture formed on his own imagination he can
transfer to the imagination of the reader without the omission of a
single detail. But he also has the poetic faculty of seeing not only the
external form and colors of objects, but their inward spirit and
meaning; and this makes his pictures alive with thought and feeling, and
constitutes their peculiar attractiveness. The reader is literally
transported; his eye falls on the page, and at once he is in Cairo or
Jerusalem, not only seeing those places, but experiencing the pure and
perfect luxury of the feelings they awaken in an imaginative mind. It is
this magical power which places Mr. Curtis above all contemporary
writers of travels. He has really caught the spirit of the east. Some
London critics have objected to his book on account of its
characteristic excellence, they being pleased to call his felicity and
sureness of insight by the name of idealization, using the word to
convey a charge of misrepresentation. We believe that he daguerreotypes
both forms and emotions, and is equally true to fact and thought. His
faculty of external observation is none the less accurate, because he
has in addition the genius which most travelers lack.
Public-domain text, read in full here on John Shaqi.
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