Graham's Magazine, Vol. XLI, No. 1, July 1852Various
General
Graham's Magazine, Vol. XLI, No. 1, July 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
There have long existed pleasing, and in some sort poetical,
associations connected with the task of securing for human use the
fruits of the earth; and to no species of crop do these picturesque
associations apply with greater force than to the ingathering of the
ancient harvest of the vine. From time immemorial, the season has
typified epochs of plenty and mirthful-heartedness—of good fare and of
good-will. The ancient types and figures descriptive of the vintage are
still literally true. The march of agricultural improvement seems never
to have set foot amid the vines. As it was with the patriarchs in the
East, so it is with the modern children of men. The goaded ox still
bears home the high-pressed grape-tub, and the feet of the trader are
still red in the purple juice which maketh glad the heart of man. The
scene is at once full of beauty, and of tender and even sacred
associations. The songs of the vintagers frequently chorussed from one
part of the field to the other, ring blithely into the bright summer
air, pealing out above the rough jokes and hearty peals of laughter
shouted hither and thither. All the green jungle is alive with the
moving figures of men and women, stooping among the vines or bearing
pails and basket-fulls of grapes out to the grass-grown cross-roads,
along which the laboring oxen drag the rough vintage carts, groaning and
cracking as they stagger along beneath their weight of purple tubs
heaped high with the tumbling masses of luscious fruit. The congregation
of every age and both sexes, and the careless variety of costume, add
additional features of picturesqueness to the scene. The white-haired
old man labors with shaking hands to fill the basket which his
black-eyed imp of a grandchild carries rejoicingly away. Quaint
broad-brimmed straw and felt hats—handkerchiefs twisted like turbans
over straggling elf-locks—swarthy skins tanned to an
olive-brown—black, flashing eyes—and hands and feet stained in the
abounding juices of the precious fruit—all these southern peculiarities
of costume and appearance supply the vintage with its pleasant
characteristics. The clatter of tongues is incessant. A fire of jokes
and jeers, of saucy questions, and more saucy retorts—of what, in fact,
in the humble and unpoetic but expressive vernacular, is called
“chaff”—is kept up with a vigor which seldom flags, except now and
then, when the butt-end of a song, or the twanging close of a chorus
strikes the general fancy, and procures for the _morceau_ a lusty
_encore_. Meantime, the master wine-grower moves observingly from rank
to rank. No neglected bunch of fruit escapes his watchful eye. No
careless vintager shakes the precious berries rudely upon the soil, but
he is promptly reminded of his slovenly work. Sometimes the tubs attract
the careful superintendent. He turns up the clusters to ascertain that
no leaves nor useless length of tendril are entombed in the juicy
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