Graham's Magazine, Vol. XLI, No. 2, August 1852Various
General
Graham's Magazine, Vol. XLI, No. 2, August 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
What a field of beautiful and advantageous activity lies waste through
the neglect of rightly cultivating the talent which God has entrusted to
woman! Thus, for example, her taste and her feeling for the beautiful
are universally acknowledged, and she is permitted to cultivate
it—merely for her own adornment and beautifying; and by so doing makes
this heavenly talent minister to vanity and self-love. What if this
sense of beauty were developed under the guidance of knowledge, for the
use of society, for the beautifying of life? Does not woman’s natural
taste for ornament and for ornamenting give her an hereditary title in
the realm of decorative art? And if she were allowed there to employ her
single gift, if she felt herself, through it, living and working, as a
fellow-citizen——?
Ought not every country to have its school of art, in which the artistic
skill of women might develop itself, in a peculiar and national manner?
Might there not, by these means, be a northern art, which, as such,
might obtain acknowledgment even in foreign countries?
Might not the daughters of Sweden, so rich in natural feeling and fresh
life, study the natural productions of Sweden; draw the pine and the
linea borealis, the Apollo-butterfly, and such like beautiful things
which God has given to the soil of their fathers; and arrange them in
tasteful groups, in vases and baskets, for the decoration of walls and
floors; and thus from northern scenes bring forth a northern art, tended
by the hands of women, which might beautify northern homes, from the
highest to the lowest; which might chase away ugly and common pictures,
and let the brightest eye of home, the eye of the child, open into a
world of beauty?
Is not, for all men and in all countries, one of the gates which opens
into the sanctuary, like that in Solomon’s temple—the beautiful?
We are speaking now merely of a branch of art. But is there not in many
other arts and in many manufactures—nay, perhaps in every art and
manufacture and science, the more they are developed and ennobled—a
department which ought preëminently to be cultivated by women, expressly
because of that one talent which has been given to them by nature?
We merely ask. We acknowledge to a profound faith in our own questions.
But we would beseech of thinking men and women to consider the subject
with us.
For the importance of it lies not merely in the peculiarity of woman’s
work. There is something beyond this in woman, through her own work,
being able to acquire a self-relying position in society, a noble
independence for the life both of soul and body; that she may feel, may
know from childhood upward that she may courageously look toward a
future which she, through her own power of work, can prepare for
herself; to know that creditable work is not disgrace. And that
beautiful consciousness which already exists in the intellectual heights
of society, may alike in the palace and the cottage of the peasant be
acquired by all.
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