All eyes were now turned toward the door: the betrothed peered through her veil, as anxious to behold the ceremony as we were; and, as eight o’clock struck, the Rabbi entered, followed by the bridegroom. Taking his place in front of the bride’s chair, the bridegroom standing on his right, and the guests in a circle round him; the Rabbi read aloud from the Hebraic ritual the moral and social duties to be observed by the man and wife. The greater part of the service is chanted—all present lending their voices. A massive gold ring, of a strange form, was given, to be worn on the forefinger of the right hand. The service ended, the bride was carried in her chair of state to the chamber where she had been exhibited during the preceding week; and—halting on the threshold—a piece of sugar was given to her by the Rabbi, who, taking a full glass of water, at the same time broke the glass over her head. The sugar is typical of the sweets of Hymen: the water of its purity: and the broken glass of the irrevocable character of the ceremony. The bride was then placed again upon the bed, and her mother took her place beside her, as if to guard the precious treasure until called upon to resign her to her husband. The ceremony of the sugar and broken glass only appertains to Jewish weddings. The cutting off the betrothed’s hair is also peculiar to them: but many of the Moorish and ancient Jewish rites have become identical. The eight days’ feasting and the exclusion of male visitors are alike common to both. A pair of female slippers placed on the threshold of the door is a sign that no male visitor above the age of twelve may cross it. The costume of the Moorish and Jewish bride is also the same, except that women of the Shreefian family—or those descended from the Prophet—wear green. In rich families, the wedding is always followed by horse-races and fireworks. The women look on closely veiled, or—more correctly—sheeted. The bride is carried through the streets in procession, to the sound of music, in a sort of Punch-theatre, placed on the back of a horse. If the procession pass a mosque, all the persons composing it are obliged to take off their shoes and walk barefooted. Lastly—the Moorish bride on arriving at her husband’s house is lifted over the threshold of the door, lest she should stumble while entering, which would be a fearful omen. * * * * * =THE OLD MAN’S EVENING THOUGHTS.= The former days return again— I hear the cricket sing From its pastoral nook in the shaven mead, And the lizard at the spring. From the silent realm, wild images Come thronging round once more, The bounding limb, the gentle eye, And the crooked form of yore.