Graham's Magazine, Vol. XLI, No. 2, August 1852Various
General
Graham's Magazine, Vol. XLI, No. 2, August 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
An earthquake, it is written, shook the earth unnoticed by those who
fought at Thrasymene, an empire crumbled into ruins unmarked by her who
had lost, who had destroyed, an Antony. After the first burst of agony
was over, when the self-immolated victim was borne to her in place of
the burning, feeling, living lover, she had caused those hated reptiles
to be brought to the tomb, which she had entered while yet alive, in the
very recklessness of dissimulation and caprice; she had applied them to
her delicate bosom, and a thrill of triumphant ecstasy had rushed
through her frame as she felt the keen pang of their venomed fangs
piercing her flesh, and imbuing the very sources of life with the
ingredients of death.
And now she sat in patient expectation, brooding over the ruin she had
wrought, calmly awaiting the agony that she well knew must convulse her
limbs and distort her features from their calm serenity; while her
attendant maidens, with strange and unaccountable devotion, had
needlessly and almost unmeaningly followed the example of her, whom they
were determined to accompany faithfully not merely to the portals of the
tomb, but into the dark regions of futurity. Now, however, when the step
was taken from which there is no returning, the courage, which had
buoyed them up for a moment and impelled them to the fatal measure, had
deserted them.
In the aspect of each, remorse, or pain, or terror was engraved in
fearful variety. One gazed with straining eyes, over the glowing
landscape, gloriously bathed in the radiance of that setting luminary
which would arise, indeed, in renewed splendor but not for her. She saw
the distant hills on which she had sported in the uncontaminated
freshness of her youth, ere she had been acquainted with the sin and
sorrow of courts—the nearer palaces, in whose vaulted halls she had
often led the dance in happy, because thoughtless merriment—and her
whole spirit was absorbed in that long, wistful view of scenes never to
be viewed again.
Another stood, as motionless as the marble column against which she
leaned, staring upon her beloved mistress and the lifeless body; but it
was evident that the images which were painted on her eye were not
reflected on her mind. At intervals a large, bright tear stole slowly
down her cheeks and literally plashed on the Mosaic pavement as it fell.
A third, already sensible of the physical agonies that accompany the
action of poison on the human system, rocked her body to and fro, every
separate nerve writhing and quivering in the extremity of pain, yet
still retained so much mastery over her tortures as to repress all
outward indications of her suffering and approaching dissolution, beyond
a low, choking sob, a fearful and indescribable sound, between a
hiccough and a groan.
Public-domain text, read in full here on John Shaqi.
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