Graham's Magazine, Vol. XLI, No. 2, August 1852Various
General
Graham's Magazine, Vol. XLI, No. 2, August 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
It was a scene of horribly exciting interest—a scene on which a
spectator feels that it is terror to gaze; yet feels that, for his life,
he cannot avert his eyes until the agony is over: a scene from which—so
strangely were terror and compassion mingled and interwoven with
curiosity—no human being could withdraw himself, till he had looked
upon the end.
The pale, haughty features of the senseless clay which had wielded and
weaponed, a few short hours ago, the energies of a gigantic soul—the
deeply seated despair of the silent mourner, still full of life and
sensation, but forgetful of herself in the contemplation of her lost
idol, unconscious of physical pain in the abstraction of mental
agony—the wretched girls repenting their rashness, yet repressing their
own anguish lest they should augment hers for whom they had cast life
away; and for whom—could it now have been redeemed—they would but have
cast it away once again: the stillness of that gorgeous room, the hated
reptiles crawling and hissing among the beautiful fruits, the sunshine
without and the gloom within, all uniting to make up a picture so awful,
yet so exciting, as no poet’s pen or painter’s pencil ever yet created.
It was a scene, however, rapidly drawing to its conclusion: the girl on
whose system the venom of the aspic had taken the strongest effect, had
already fallen upon the floor; and it seemed, by the long and gasping
efforts with which she caught her breath, that her very minutes were
numbered. Notwithstanding the miserable plight in which she rolled over
and over in her great agony, so callous had the feelings of her
companions been rendered by the immediate pressure of their own
calamities, that—delicate and tender beings as they were, with hearts
ever melting at the slightest indication of sorrow—each one retained
her station, wholly absorbed by her own awful thoughts, and careless of
all besides.
It was at this crisis, that a shrill and prolonged flourish of trumpets
rose—almost painfully—upon the ear. It was a Roman trumpet. There was
a pause—a brief, but awful pause; such as is often felt between the
first peal of a thunder-storm and the bursting deluge of the shower.
Again it rang—nearer, and nearer yet; and now, beneath the very windows
of the mausoleum.
As the first note sank into silence, the queen had arisen breathlessly
to her feet; and there she stood, motionless as a statue, her eyes still
fixed on Antony; but her lips slightly severed, her head and her whole
frame expressing the earnestness with which she listened for a
repetition of the sounds; but, as the second flourish smote her ear, she
threw her arm aloft in triumph, a flash of exultation kindled that
glorious brow like a sunburst, and her eyes danced in their sockets with
the highly-wrought ecstasy of the moment; but, while her brow and eyes
were radiant with delight, the wide expansion of the nostril and the
curl of the chiseled lip spoke volumes of defiance and contempt.
Public-domain text, read in full here on John Shaqi.
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