Graham's Magazine, Vol. XLI, No. 3, September 1852Various
General
Graham's Magazine, Vol. XLI, No. 3, September 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The Monk follows next, and he, like all the ecclesiastics, with the
single exception of the Personore or secular parish priest, is described
with strong touches of ridicule; but it is impossible not to perceive
the strong and ever-present _humanity_ of which we have spoken as
perhaps the most marked characteristic of Chaucer’s mind. The Monk is a
gallant, richly-dressed, and pleasure-loving sportsman, caring not a
straw for the obsolete strictness of the musty rule of his order. His
sleeves are edged with rich fur, his hood fastened under his chin with a
gold pin headed with a “love-knot,” his eyes are buried deep in his
fleshy, rosy cheeks, indicating great love of rich fare and potent
wines; and yet the impression left on the mind by this type of fat,
roystering sensuality is rather one of drollery and good-fellowship than
of contempt or abhorrence.
Chaucer exhibits rich specimens of the various _genera_ of that vast
species “Monachus monachans,” as it may be classed by some Rabelœsian
Theophrastus. The next personage who enters is the Frere, or mendicant
friar, whose easiness of confession, wonderful skill in extracting money
and gifts, and gay discourse, are most humorously and graphically
described. He is represented as always carrying store of knives, pins,
and toys, to give to his female penitents, as better acquainted with the
tavern than with the lagar-house or the hospital, daintily dressed, and
“lisping somewhat” in his speech, “to make his English swete upon the
tongue.”
This “worthy Limitour” is succeeded by a grave and formal personage, the
Merchant: solemn and wise is he, with forked beard and pompous demeanor,
speaking much of profit, and strongly in favor of the king’s right to
the subsidy “pour la saufgarde et custodie del mer,” as the old Norman
legist phrases it. He is dressed in motley, mounted on a tall and quiet
horse, and wears a “Flaundrish beaver hat.”
The learned poverty of the Clerke of Oxenforde forms a striking contrast
to the Merchant’s rather pompous “respectability.” He and his horse are
“leane as is a rake” with abstinence, his clothes are threadbare, and he
devotes to the purchase of his beloved books all the gold which he can
collect from his friends and patrons, devoutly praying, as in duty
bound, for the souls of those
Who yeve him wherewith to scolaie.
Nothing can be more true to nature than the mixture of pedantry and
bashfulness in the manners of this anchoret of learning, and the tone of
sententious morality and formal politeness which marks his language.
We now come to a “Serjeant of the Lawe,” a wise and learned magistrate,
rich and yet irreproachable, with all the statutes at his fingers’ ends,
a very busy man in reality, “but yet,” not to forget the inimitable
touch of nature in Chaucer, “As _seemed besier than he was_.” He is
plainly dressed, as one who cares not to display his importance in his
exterior.
Public-domain text, read in full here on John Shaqi.
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