Graham's Magazine, Vol. XLI, No. 3, September 1852Various
General
Graham's Magazine, Vol. XLI, No. 3, September 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Another of the most elaborately painted pictures in Chaucer’s gallery is
the “Reve,” bailiff or intendant of some great proprietor’s estates. He
stands before us as a slender, long-legged, choleric individual, with
his beard shaven as close as possible, and his hair exceedingly short.
He is a severe and watchful manager of his master’s estates, and had
grown so rich that he was able to come to his lord’s assistance, and
“lend him of his owen good.” His horse is described, and even named, and
he is described as always riding “the hindereat of the route.”
Nothing can surpass the nature and truthfulness with which Chaucer has
described the Sompnour. His face is fiery red, as cherubim were painted,
and so covered with pimples, spots, and discolorations, that neither
mercury, sulphur, borax, nor any purifying ointment, could cleanse his
complexion. He is a great lover of onions, leeks, and garlic, and fond
of “strong win as red as blood;” and when drunk he would speak nothing
but Latin, a few terms of which language he had picked up from the writs
and citations it was his profession to serve. He is a great taker of
bribes, and will allow any man to set at naught the archdeacon’s court
in the most flagrant manner “for a quart of wine.”
The last of the pilgrims is the “Pardonere,” or seller of indulgences
from Rome. He is drawn to the life, singing, to the bass of his friend
the Sompnour, the song of “Come hither, love, to me.” The Pardoner’s
hair is “yellow as wax,” smooth and thin, lying on his shoulders: he
wears no hood, “for jollité;” that is, in order to appear in the
fashion. His eyes (as is often found in persons of this complexion—note
Chaucer’s truth to nature) are wide and staring like those of a hare;
his voice is a harsh treble, like that of a goat; and he has no beard.
Chaucer then enumerates the various articles of the Pardoner’s
professional budget; and certainly there never was collected a list of
droller relics: he has Our Lady’s veil, a morsel of the sail of St.
Paul’s ship, a glass full of “pigges bones,” and a pewter cross crammed
with other objects of equal sanctity. With the aid of these and the
hypocritical unction of his address, he could manage, in one day, to
extract from poor and rustic people more money than the Parson (the
regular pastor of the parish) could collect in two months.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account