Graham's Magazine, Vol. XLI, No. 3, September 1852Various
General
Graham's Magazine, Vol. XLI, No. 3, September 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Thus, by the aid of the flambeau, which changed night into day, and
darkness into light, and with the mighty sound of drums, tymbals,
trumpets, and other musical instruments, aided by the shouts of the
_jongleurs_, and the proclamations of the heralds, who called
out—“Barcelona! Barcelona!” the count was conducted to the church,
having been seen by every one, on account of the slow progress of the
procession, and the length of way between the palace and the sacred
edifice. The hour of midnight, indeed, struck the moment the count
alighted at the porch, where he was met by the Archbishop of Barcelona,
and all the clergy.
The lord count, followed by all the nobles who were to receive their
arms, entered the church, and watched them together, according to old
custom on such occasions, reciting prayers and singing psalms in honor
of their Saviour. They passed the night very happily in these devotional
services, and attended matins, which service was performed by the
archbishops, bishops, priors, and abbots.
When the day broke, the church was opened to the congregation of the
faithful, who filled it in such a fashion, that it was wonderful how so
many men and women could be so closely crowded together without injury
to themselves or their neighbors. The archbishop then made himself ready
to say mass, and the lord count put on a surplice, as if he intended to
assist him; but over the surplice he wore a richer Dalmatica than
emperor or king had ever appeared in, clasped at the throat with a
diamond star, set round with pearls of inestimable value. Then he
assumed the manipule, or girdle, which was also very splendid; and every
time he was invested with a new garment, the archbishop repeated a
prayer. This ceremony being finished, the archbishop said mass; but when
the epistle was ended he paused—when the two godfathers of the count,
Don Juan Ximenes de la Roca, and Don Alphonse Ferdinando, Lord of Ixer,
approached the count, and one affixed the spur to his right heel, the
other to his left—the solemn notes of the organ accompanying this part
of the ceremonial. Then the count, approaching the altar, knelt before
the shrine, and repeated to himself a whispered prayer, while the
archbishop, standing by his aide, prayed aloud.
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