Graham's Magazine, Vol. XLI, No. 3, September 1852Various
General
Graham's Magazine, Vol. XLI, No. 3, September 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The scene of the story is laid in Blithedale, an imaginary community on
the model of the celebrated Brook Farm, of Roxbury, of which Hawthorne
himself was a member. The practical difficulties in the way of combining
intellectual and manual labor on socialist principles constitutes the
humor of the book; but the interest centres in three characters,
Hollingsworth, Zenobia, and Priscilla. These are represented as they
appear through the medium of an imagined mind, that of Miles Coverdale,
the narrator of the story, a person indolent of will, but of an
apprehensive, penetrating, and inquisitive intellect. The discerner of
spirits only tells us his own discoveries; and there is a wonderful
originality and power displayed in thus representing the characters.
What is lost by this mode, on definite views, is more than made up in
the stimulus given both to our acuteness and curiosity, and its manifold
suggestiveness. We are joint watchers with Miles himself, and sometimes
find ourselves disagreeing with him in his interpretation of an act or
expression of the persons he is observing. The events are purely mental,
the changes and crises of moods of mind. Three persons of essentially
different characters and purposes are placed together; the law of
spiritual influence, the magnetism of soul on soul begins to operate;
and the processes of thought and emotion are then presented in perfect
logical order to their inevitable catastrophe. These characters are
Hollingsworth, a reformer, whose whole nature becomes ruthless under the
dominion of one absorbing idea—Zenobia, a beautiful, imperious,
impassioned, self-willed woman, superbly endowed in person and
intellect, but with something provokingly equivocal in her
character—and Priscilla, an embodiment of feminine affection in its
simplest type. Westervelt, an elegant piece of earthliness, “not so much
born as damned into the world,” plays a Mephistophelian part in this
mental drama; and is so skillfully represented that the reader joins at
the end, with the author, in praying that Heaven may annihilate him.
“May his pernicious soul rot half a grain a day.”
Public-domain text, read in full here on John Shaqi.
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