Graham's Magazine, Vol. XLI, No. 3, September 1852Various
General
Graham's Magazine, Vol. XLI, No. 3, September 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
This volume deals with the events of “The Hundred Days,” giving a
graphic picture of the incidents which occured between the return of
Napoleon from Elba and his final overthrow at Waterloo. It is much more
minute than any other history of the period, and occasionally gives
elaborate descriptions of persons and occurrences unworthy of being
rescued from the oblivion of their unimportance. Lamartine evidently
dislikes both Napoleon and Napoleonism. The leading object of the
present volume is to prove that France was sick of him, and that the
army alone was in his favor. One passage seems a palpable hit at the
usurpation of the “Nephew of my Uncle.” “If the people,” says Lamartine,
“did not protest by civic opposition, they protested very generally by
their sorrow and estrangement. _History never recorded more audacity in_
_the usurpation of a throne, or a more cowardly submission of a nation
to_ _an army._ France lost on that day somewhat of its character, the
law or its majesty, the liberty of its respect. Military despotism was
substituted for public opinion. The pretorians made a mockery of the
people. The Lower Empire of Rome enacted in Gaul one of those scenes
which degrade history, and humiliate human nature. _The only excuse_ for
such an event is that the people were depressed under ten years of
military government, that the army was rendered frantic by ten years of
prodigies, and that its idol was a hero.”
For the Bourbons, Lamartine evinces a tender regard, and narrates their
flight from France in a style of mental bombast which but ill rescues it
from ridicule. The description of the Congress of Vienna is very
brilliant, and the sketches of Talleyrand, Fouche, and Wellington,
discriminating and powerful. The sentimentality of the author gives, as
usual, its peculiar perversion to the facts of the narrative; things are
commonly represented in their relation to the opinions of Lamartine,
rather than in their relation to each other; and occasionally gross
fictions are introduced to add to the scenic effect.
Public-domain text, read in full here on John Shaqi.
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