has the peculiar quality of his poetry been thoroughly analyzed, and the simplicity of its charm, the nature of its singularity been clearly precipitated. Never, I think, has the character of the man been fully delineated, and his double littleness held up to view. This task I assume. Never, I think, has his success and renown been shown attributable to the intrinsic merits of his productions, and traceable to the judgment of the good and the wise among learned men. Be this task for others: and until it be done I will now cease to say that such a task were futile. To the intrinsic merits of Lord Byron’s poetry much, very much, of his success was due, and that chiefly to a peculiarity which I will hereafter point out; but not to them was due the gigantic temple of his popularity and fame. His mere poetic fame stands, and ever will stand, upon a poet’s solid basis—Genius: but this overgrown temple of popularity was built of the sparkling gems of romance, gathered on earthly shores, and piled into the brilliant structure more by the fired imaginations of the world of builders—the public—than according to the commanding _dixit_ of the architect himself. Byron sketched not more than the outlines of his fame; he foresaw not distinctly more: but, like a cunning and artful woman who shrouds from gaze the distincter outlines of her form, and but assumes a posture, bares but a mere glance of voluptuousness to the pregnant imagination, he blazoned forth his youth and noble birth, the world’s hatred for him, and his hatred for the world; advertised that he had loved, deeply, ardently loved, and would not love again; boasted that he had been “sore given to revel and ungodly glee;” and then departed from Albion’s chill and murky twilight to sunny and classic climes, sated with the world, and the world with him. With a brilliant yet devilish poetic allurement he pictured his proud and noble self a victim to genius and tortured sensibilities, basking in the light of Spain’s bright skies, and the smiles of Spain’s loveliest daughters; bound ere long to the fairest of all lands, to the land of love, and art, and song, and scene, and highest classic fame; thence to the almost dreamy ruins of Grecian temples, of Grecian beauty and Grecian greatness; wandering alone, with “sandal shoon and scallop shell,” through the world, but not of it, through an etherealized path aloof from vulgar souls; eyeing afar repose amid the lofty grandeur of eternal snows which crown the downy verdure of the Alpine valleys, and trickle forever their glittering coolness into the lakes below. Thus far he bared to the world’s morbid imagination, craving incessantly for spicy food, then wrapped himself within the folds of his own romance: the world’s imagination did the rest.