Graham's Magazine, Vol. XLI, No. 4, October 1852Various
General
Graham's Magazine, Vol. XLI, No. 4, October 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
in the ravishing sweetness of a perfumed atmosphere; as when, standing
alone at midnight, in the deep darkness of a polar season, when the moon
rides high, and the stars shone unclouded, when the dry icicles crackle
in the breeze, and sparkle as they fall shivered into tiny diamonds, the
solemn spirit of metaphysical contemplation thrills a low symphony of
feeling and of awe that the melting rays of a southern sun could never
reach.
So great was Byron’s versatility; and, yielding ever to the influence of
the moment, so did he throw off at times the characteristic poetry of
all climes, all people, and all moods: and, if there is no one kind in
which he has not been surpassed; through his versatility and boldness
his fame has not dimmed in the contrast. The characteristic of southern
poetry is a materialising even of the spiritual; that of northern
poetry, a spiritualizing, an etherealizing even of the material. Even
the northern and southern tongues, though all springing from the same
root, are modified and characterized by the tone and natural feeling
which climate and association have diversified. In southern tongues,
sounds seem such as those that the soul of music and of feeling might
give vent to, as through the lips it passes to liberty away; in northern
tongues sounds seem each as the soul of thought and feeling might mutter
when their confined power is aroused to action within us. How different
and characteristic are Lord Byron’s descriptions where, in one,
describing the voluptuous Dudù, he says with true southern softness:
“She was not violently lively, but
Stole on your senses like a May-day breaking.”
Ekeing out the materialised comparison with redundant melody; and when,
with stern northern contemplation he realises that
“There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society where none intrudes
By the deep sea, and music in its roar.
I love not man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the universe, and feel
What I can ne’er express, yet cannot all conceal.”
Public-domain text, read in full here on John Shaqi.
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