And this is in the night: most glorious night! Thou wert not made for slumber!—let me be A sharer in thy fierce and fair delight— _A portion of the tempest and of thee_. How the lit lake shines, a phosphoric sea, And the big rain comes dancing to the earth! And now again ’tis black—and now the glee Of the loud hills shakes with its mountain mirth, As if they did rejoice o’er a young earthquake’s birth.” Heavens! what a terrible fascination in the fellow! Here is shown not only the weird psychology of the north, but another great illustration of Lord Byron’s humor; for what but a spirit racy of the lower regions, could invoke that loud and awful warring of the elements, that darting to and fro from crag to crag, of deadly thunderbolt, as a fair, congenial delight; and long to claim kindred with, and become a part of the destroying emissary? How, then, shall we characterize Lord Byron’s poetry, and make plain the mystery of its singularity? How shall we assert that its charm is simple, and prove its simplicity, evolving it from the intricacies of Romance? Be it remembered that I said Lord Byron was totally, utterly earthly: yet I say his poetry is Satanic. This is no paradox. There are minds which are utterly earthly and are not Satanic; but this is owing solely to their supineness and incapacity. A mind essentially active, grasping, comprehensive; its vast faculties born of Heaven, yet thwarted and diverted to passion and sensuality; succumbing, not only without resistance, but with infinite relish to the passing whim; courting voluptuousness, and reveling in it; conceiving stupendous and holy thoughts, yet wantonly blasting them, to joy in their sad and terrible destruction; understanding the most hidden depths of human weakness, and human tenderness, and human feeling, yet exploring but to profane; gifted with the finest appreciation of beauty and pleasure, yet gorging to satiety, intoxication, disgust—then turning in selfishness, hatred and malice from all that is good; such a mind, I say, is earthly, nay more, in its unbridled license it is devilish. Had Satan freed from fire, and sent on earth a fiend, a fiend damned for hatred, selfishness and wanton malice, to be the chief among English poets, this poet would have written in Byronic style, and with Byronic humor; with more ability, perhaps, but not with greater fidelity to his court; nor would the infernal glare of his fierce and voluptuous sentiment be more apparent. Byron touched no beauty that he did not wither; no virtue, no holy feeling that he did not mock. Why was it? It was by reason of the deep-seated malice of his thought. Womanly beauty in his hands was a plaything, womanly weakness a delight, woman’s fall a glory, and woman’s virtue a scorn. He could gaze on the stars, and the mountains, and the ocean, but he could not see and feel the poetry of their creation and