Graham's Magazine, Vol. XLI, No. 6, December 1852Various
General
Graham's Magazine, Vol. XLI, No. 6, December 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
There was a tone of deep despondency in the voice which spoke these
words--for recently the change in their child had become marked. Unusual
absences from her home--a sadness foreign to her natural cheerfulness of
manner--a sudden and frequent outbreaking of tenderness toward her
mother and himself--tears often springing overflowingly to her eyes--all
these circumstances could do no more than excite uneasiness and anxiety
in the minds of her parents.
A low murmuring sound was presently heard at the little wicket-gate
outside, and immediately after the door was softly unlatched, and Grace
Bartlett glided into the room.
The anxious glances of the pastor and his wife at once discovered by the
light of the fire, which blazed brightly upon the hearth-stone, that the
young girl’s eyes were dimmed with a slight expression of sorrow, and
that her lovely cheek was a shade paler than its wont. She moved gently
forward, knelt down at her father’s side, and kissed his brow.
“Grace,” said the old man, sadly, as he laid his hand among her
beautiful tresses, “we have awaited your return, my child; it is past
our customary hour for prayer. Do you tire of the happiness of home,
that you seek for enjoyment elsewhere?” he added, as he gazed down on
the face of the lovely being so emphatically the light of his home.
The girl’s countenance betrayed a confused consciousness as her
beautiful “forget-me-not” eyes encountered those of her parent; but she
made no reply, and a moment after arose from her knees. Untying her
bonnet and hanging it against the wall, while her golden hair,
disobedient to previous arrangement in modest bands by its owner, fell
luxuriantly around her neck, she took a seat to signify that she was now
prepared to join her parents in the devotions of the evening.
At that moment the little low-roofed apartment, so unostentatious in its
old-fashioned furniture, so exact in its modest neatness--its bare walls
unornamented with ought save a piece of faded tapestry, or an occasional
nail whereon was hung sundry bunches of dried herbs and bags of
rose-leaves--this, with the girl in her youthful simplicity and grace,
kneeling by the side of her venerable parents, the eyes of all closed,
and their hands clasped in devotion, while the old man’s lips were
parted in the act of prayer, formed altogether as complete a picture as
possible of colonial economy and piety.
Public-domain text, read in full here on John Shaqi.
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