Graham's Magazine, Vol. XLI, No. 6, December 1852Various
General
Graham's Magazine, Vol. XLI, No. 6, December 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The Moorish architecture, introduced into Europe by the Arabian
conquerors of Spain, early attained a high development. One singular
characteristic of this style,--the horse-shoe arch--must be specially
mentioned, as a new feature in construction; and its shape was, perhaps,
suggestive of the dome, universal in the later Mohammedan architecture.
Slender pillars, profuse decorations in painting, mosaic, and stucco,
with elaborate lattice and trellis-work, and perforated battlements, so
intricate as to resemble network, are the other points for remark in
Moorish buildings. The polish and refinement of the Saracens
distinguished them wholly from the rude barbarians of the North. They
did not invade to destroy, but to improve; and so early was the
development of their architecture, that one of their most splendid
remains, the mosque at Cordova, was erected in the beginning of the
ninth century--a period which could show nothing so beautiful elsewhere.
The celebrated Alhambra--the palace of the Moorish kings of Granada--is
some three centuries later, and must be alluded to here as the highest
development of the luxurious Eastern style. The perfect state in which
parts of this celebrated Moorish palace still remain, is elegantly thus
described by a modern writer,[12] in his notice of the “Court of Lions”
and the surrounding halls:--“Here the hand of time has fallen the
lightest, and the traces of Moorish elegance and splendor exist in
almost their original brilliancy. Earthquakes have shaken the
foundations of this pile, and rent its rudest towers; yet, see, not one
of those slender columns has been displaced--not an arch of that light
and fragile colonnade has given way; and all the fairy fretwork of these
domes, apparently as unsubstantial as the crystal fabrics of a morning’s
frost, yet exist, after the lapse of centuries, almost as fresh as if
from the hand of the Moslem artist.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account