Graham's Magazine, Vol. XLI, No. 6, December 1852Various
General
Graham's Magazine, Vol. XLI, No. 6, December 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The Mexicans were well acquainted with the usual mining operations for
procuring gold, silver, lead, and tin. Iron was unknown to them, and we
find bronze fulfilling a variety of uses, just as among the ancient
Greeks and Romans. Very perfect tools were made from this compound of
tin and copper; vessels of gold and silver were cast and chased, some of
them of an enormous size; in the working of ornamental jewelry, and in
the cutting of precious stones, their artificers highly excelled. A hard
mineral substance--obsidian, furnished the material for their hardest
tools--their axes, knives, razors, and swords. Their sculpture still
evidences skill in workmanship, though the designs may be barbarous; and
the mechanical skill which could raise and transport so large a monument
as a porphry stone of fifty tons weight, without the aid of beasts of
burden, from a distance of many leagues, cannot have been contemptible.
They employed utensils of lacquered wood or of earthenware, and in the
art of pottery were so advanced, that it was said by a historical writer
of Europe, “There is no fictile vessel among ourselves which in skill of
construction excels the vases formed by them.” And this, too, at a time
when the fictile art was at a high pitch of excellence in Europe. Cotton
was raised abundantly in the suitable localities; was woven into
fabrics, sometimes beautifully fine; and these in turn made into a kind
of armor by thickly quilting. Or it was interwoven with the “delicate
hair of rabbits and other animals, which union produced a cloth of great
warmth as well as beauty, of a kind altogether original; and on this
they often laid a rich embroidery of birds, flowers, or some other
fanciful device.”[16]
The reader will remember the feather tapestry to which allusion has been
made in the account of Greek and Roman art. It is singular to turn after
the lapse of centuries and find this fabric in a more perfect form, and
applied to an infinite variety of purposes, among a newly-discovered
people, whose very existence was undreamt of by the ancient world. The
gaudy plumes of the tropical birds most naturally have suggested their
employment for dress or ornament, and the art of working them made so
great progress as to have become a characteristic of the industry of the
people. Tapestry and mantles of these materials could not be excelled,
in brilliancy of hue and softness to the touch, by the most elaborate
tissues of the loom.
The scenes which everywhere met the eyes of the Spanish invader denoted
a state of refinement and luxury, in some points forcibly reminding us
of counterparts in Eastern life. One main cause of this development was
perhaps the singular contrast which Mexican society offered to that of
Greece, Rome, or modern monarchies, in the fact that trade was not only
honorable in itself, but a pathway to high political dignity.
Public-domain text, read in full here on John Shaqi.
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