Graham's Magazine, Vol. XVIII, No. 2, February 1841Various
General
Graham's Magazine, Vol. XVIII, No. 2, February 1841
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The sun had long gone down beneath the dizzy peaks of Lebanon, indeed
night had far advanced, when Lactantius, Mobilius, and myself, properly
arrayed in dark vestments, sallied toward the temple of the sun. Hurried
along at a rapid pace, for he feared we had tarried too long, we soon
came in view of the temple’s towering portico, which may still be seen
by the curious stranger, even in the absence of the moon; for
ever-burning lamps, filled, as they say, by never-failing oil, hang
beneath the architrave. Entering at the great door, we were stopped by
the porter, but recognising Mobilius, he permitted us to pass, without
farther scrutiny, though he was evidently displeased; for although I
could not clearly distinguish what he spoke, I heard him mutter angrily
in the Syrian tongue.
We did not cross the grand courts, which, like the portico, were filled
with perpetual lamps, but hastened through low corridors, vaults, and
crooked passages, which might defy the skill of man to retrace, but
Mobilius seemed well accustomed to them, so that I inferred he had acted
as a guide on more than one occasion. After endless windings, we came
into an archway, faintly lighted from without, and proceeding farther,
entered a dark room. Here we were obliged to grope our way, and were
commanded by Mobilius to tread with the utmost caution. We speedily,
however, came to a spot, from which we beheld the great floor of the
temple, through a narrow opening, artfully concealed in one of the
ornaments of the entablature. All was still.
“Earlier than I expected,” whispered Mobilius, “the ceremonies have not
yet begun.”
This leisure enabled me to examine the exquisite architecture of the
edifice.
The temple was the loftiest of all those that surrounded it, and which
had their position and style of architecture in strict reference to
this, as their great centre. The roof was of marble, and I could clearly
distinguish, by the lamps around, the delicacy and lightness of its
mouldings, pannels, and compartments. In the centre was a sun, carved in
the full glory of his rays: marshalled at equal distances, surrounded by
its sculptured edge, and sunk deeply into the marble, like a picture in
its frame, were the heads of Venus, or as this people designate her, the
“Syrian Goddess,” and also of Jupiter and other deities; and if I do not
err, I could discern, constellated like the rest, the heads of
Antoninus, and of other Roman emperors.
The marble walls were carved with niches and tabernacles disposed in two
rows, which were filled with statues, between the floor and the roof,
and supporting the latter, stood pilasters and columns of the same order
as those which sustain the architrave.
Public-domain text, read in full here on John Shaqi.
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