Before I had looked half enough at Copley’s picture, the two old ladies directed my attention to another portrait which they seemed to prize still more highly. This, they informed me, was that of their nephew, “poor boy,” whom they had not seen for forty years. It was painted by himself.—His name was Mather Brown, and he was the only son of their deceased elder sister. He had removed to London, where, as they informed me, he had _taken_ the Prince of Wales and the Duke of York—“and, therefore,” said one of the aunts—“he is painter to the royal family.” They both expressed much regret that they had not been able to prevail on their father, after the revolution, to give up America entirely, and remove with his family to England. “In that case,” said Miss Mary, “we should all have been introduced at court; and the king and queen would have spoken to us; and I dare say would have thanked us kindly for our loyalty.” The truth was, as I afterwards found, that a much longer period than forty years had elapsed since their nephew left America; but they always continued to give that date to his departure. He had painted himself with his hair reared up perpendicularly from his forehead, powdered well, and tied behind,—and, in a wide blue coat with yellow buttons, and a very stiff hard-plaited shirt-frill with hand-ruffles to match. In his hand he held an open letter, which, both his aunts informed me, contained the very words of an epistle sent by one of them to him, and, therefore, was an exact likeness of that very letter. To gratify them, I read aloud the pictured missive, thereby proving that it really contained legible words. Having looked at the pictures, I was invited by Miss Mary Byles to take my seat in the large arm-chair, which she assured me was a great curiosity, being more than a hundred years old, having been sent over from England by “government,” as a present to their maternal grandfather, Governor Taylor. The chair was of oak, nearly black with age, and curiously and elaborately carved. The back was very tall and straight, and the carving on its top terminated in a crown. This chair was furnished with an old velvet cushion, which was always (by way of preservation) kept upside down, the underside being of dark calico. Miss Mary, however, did me the honor, as a visiter, to turn the right side up, that I might sit upon velvet; and as soon as I had placed myself on it, she enquired if I found it an easy seat? On my replying in the affirmative. “I am surprised at that”—said she, with a smile—“I wonder how a republican can sit easy under the crown.”—Beginning to understand my cue, I, of course, was properly diverted with this piece of wit.