Graham's Magazine, Vol. XX, No. 2, February 1842Various
General
Graham's Magazine, Vol. XX, No. 2, February 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The fourth line but renders the matter worse, for here the figure is
most inartistically shifted. The handful of water becomes animate; for
it has a front—that is, a forehead, and upon this forehead the Deity
proceeds to hang a bow, that is, a rainbow. At the same time he “speaks
in that loud voice, &c.;” and here it is obvious that the ideas of the
writer are in a sad state of fluctuation; for he transfers the
idiosyncrasy of the fall itself (that is to say its sound) to the one
who pours it from his hand. But not content with all this, Mr. Brainard
commands the flood to _keep a kind of tally_; for this is the low
thought which the expression about “notching in the rocks” immediately
and inevitably induces. The whole of this first division of the poem,
embraces, we hesitate not to say, one of the most jarring,
inappropriate, mean, and in every way monstrous assemblages of false
imagery, which can be found out of the tragedies of Nat Lee, or the
farces of Thomas Carlyle.
In the latter division, the poet recovers himself, as if ashamed of his
previous bombast. His natural instinct (for Brainard was no artist) has
enabled him _to feel_ that _subjects which surpass in grandeur all
efforts of the human imagination are well depicted only in the simplest
and least metaphorical language_—a proposition as susceptible of
demonstration as any in Euclid. Accordingly, we find a material sinking
in tone; although he does not at once, discard all imagery. The “Deep
calleth unto deep” is nevertheless a great improvement upon his previous
rhetoricianism. The personification of the waters above and below would
be good in reference to any subject less august. The moral reflections
which immediately follow, have at least the merit of simplicity: but the
poet exhibits no very lofty imagination when he bases these reflections
only upon the cataract’s superiority to man _in the noise it can
create_; nor is the concluding idea more spirited, where the mere
difference between the quantity of water which occasioned the flood, and
the quantity which Niagara precipitates, is made the measure of the
Almighty Mind’s superiority to that cataract which it called by a
thought into existence.
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