Graham's Magazine, Vol. XX, No. 3, March 1842Various
General
Graham's Magazine, Vol. XX, No. 3, March 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The girl put both her little hands in his—that was her only answer. And
then the page drew her again to his heart and kissed her brow and lips.
And then—and then—and then—why then, and there, right up before
them—with curled lip and cloudy brow—stood the castle’s lord!—the
proud hidalgo!—the Count Alcaros de Llenaro!—the Doña Ysabel’s
father!—the handsome page’s master!
“Ha!” exclaimed he, “is this the way ye obey my commands? Ah, I see!
Thou’rt doing my bidding, sir page. Hast thou won the self-willed lady
to think as I do? Away, girl!—Back, I say! Away with thee, page!”
Pale, drooping, quailing beneath her father’s angry glance, the gentle
girl silently twined her arms around his frame, and strove to kiss away
the angry spot upon his brow.
“Back! Judas!” exclaimed he, pushing her rudely from him. “When thou
hast learned to do thy father’s wishes, _then_ will he accept thy
caresses.”
Frightened—crushed—she shrunk within herself, like the sensitive plant
at some rude touch, nor dared to raise her gentle eye to the
fire-darting ones of her angry sire.
And the page?
The father glanced from the drooping form of his daughter to the
unbending one of the presumptuous lover.
“And so, sir menial, thou art aspiring—we like ambition. Thou thinkest
to love my daughter—the daughter of the noble house of Llenaro—good!”
“Count of Llenaro—hear me. I ask of thee thy daughter. My house, proud
lord, is full as noble as thine own—perhaps more ancient. I am no
page—I am the only son of——”
“I will not even hear who thou art—wert thou the monarch of the
universe, thou shouldst not wed my daughter. I have sworn she shall
become the bride of the Talavera—I never recall an oath.”
The group as they stood there would have made a picture for the pencil
of a Salvator. The proud, determined figure of Llenaro, standing with
his arms folded, looking lightning on the no less proud form of the
handsome page, as he stood in the glow of his young manhood’s strength
and beauty. Then the shrinking form of the Doña Ysabel—slightly leaning
forward, with clasped hands—her head partly raised—the speechless,
imploring agony of her lovely face.
The room contributed not a little to the scene—all around was purely,
beautifully feminine. The low damask ottomans—the bright-eyed birds in
their glittering gold cages—the rich, mellow paintings hanging around
the room. Among them was her own soft eyed mother. The sweet, dreamy
eyes of the Italian seemed to look down on the father of her daughter
reproachfully for his harshness to that daughter. The parting beams of
the sun, as he bade adieu to his love the fair earth, streamed in the
room, gilding with their warm glow the expressive faces of the three. A
ray more softened fell on the calm, angel face of the wife,—the mother.
Public-domain text, read in full here on John Shaqi.
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