Graham's Magazine, Vol. XXI, No. 1, July 1842Various
General
Graham's Magazine, Vol. XXI, No. 1, July 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
We alluded to this work very briefly in a former number, and now recur
to it mainly for the purpose of presenting some specimens of the
author’s versification, by which the reader may be enabled to judge of
its general execution. “Tecumseh” is a narrative, founded on the history
of that great chief whose name is chosen for its title, and whose
efforts to unite the various divisions of the red race into one grand
confederacy, to regain their lost inheritance, though unsuccessful,
should secure to him a fame as lasting as is awarded to the most
celebrated heroes and patriots of the world.
The measure of the main part of the poem—extending to nine long
cantos—is octo-syllabic. It is free, and generally correct, though in
some cases marred by inexcusable carelessness, and phraseology more tame
and meaningless than, had he kept his manuscript for a few years, the
author would have permitted to go before the critics. The hero, with the
wily prophet, Els-kwa-ta-wa, who was his evil genius through life, is
introduced in the second canto. Distinguished
“By his broad brow of care and thought,
By his most regal mien and tread,
By robes with richest wampum wrought,
And eagle’s plume upon his head,”
he emerges with his companion from a forest;
“Nor e’er did eye a form behold
At once more finished, firm and bold.
Of larger mould and loftier mien
Than oft in hall or bower is seen,
And with a browner hue than seems
To pale maid fair, or lights her dreams,
He yet revealed a symmetry
Had charmed the Grecian sculptor’s eye,
A massive brow, a kindled face,
Limbs chiselled to a faultless grace,
Beauty and strength in every feature,
While in his eyes there lived the light
Of a great soul’s transcendant might—
Hereditary lord by nature!
As stood he there, the stern, unmoved,
Except his eagle glance that roved,
And darkly limned against the sky
Upon that mound so lone and high,
He looked the sculptured God of Wars,
Great Odin, or Egyptian Mars,
By crafty hand, from dusky stone,
Immortal wrought in ages gone,
And on some silent desert cast,
Memorial of the mighty Past!
And yet, though firm, though proud his glance,
There was upon his countenance
That settled shade, which oft in life
Mounts upward from the spirit’s strife
As if upon his soul there lay
Some grief which would not pass away.
Public-domain text, read in full here on John Shaqi.
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