Graham's Magazine, Vol. XXI, No. 4, October 1842Various
General
Graham's Magazine, Vol. XXI, No. 4, October 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The differences of decision arose
simply from those of application; and from such variety in the applied,
rather than in the conceived idea, sprang, undoubtedly, the absurd
distinctions of the “schools.”
“_Geraldine_” is the title of the first and longest poem in the volume
before us. It embraces some three hundred and fifty stanzas—the whole
being a most servile imitation of the “Don Juan” of Lord Byron. The
outrageous absurdity of the systematic _digression_ in the British
original, was so managed as to form not a little portion of its infinite
interest and humor; and the fine discrimination of the writer pointed
out to him a limit beyond which he never ventured with this tantalizing
species of drollery. “Geraldine” may be regarded, however, as a simple
embodiment of the whole soul of digression. It is a mere mass of
irrelevancy, amid the mad _farrago_ of which we detect with difficulty
even the faintest vestige of a narrative, and where the continuous lapse
from impertinence to impertinence is seldom justified by any shadow of
appositeness or even of the commonest relation.
To afford the reader any proper conception of the _story_ is of course a
matter of difficulty; we must content ourselves with a mere outline of
the general conduct. This we shall endeavor to give without indulgence
in those feelings of risibility stirred up in us by the primitive
perusal. We shall rigorously avoid every species of exaggeration, and
confine ourselves, with perfect honesty, to the conveyance of a distinct
image.
“Geraldine,” then, opens with some four or five stanzas descriptive of a
sylvan scene in America. We could, perhaps, render Mr. Dawes’ poetical
reputation no greater service than by the quotation of these simple
verses in full.
I know a spot where poets fain would dwell,
To gather flowers and food for after thought,
As bees draw honey from the rose’s cell,
To hive among the treasures they have wrought;
And there a cottage from a sylvan screen
Sent up a curling smoke amidst the green.
Around that hermit home of quietude
The elm trees whispered with the summer air,
And nothing ever ventured to intrude
But happy birds that caroled wildly there,
Or honey-laden harvesters that flew
Humming away to drink the morning dew.
Around the door the honey-suckle climbed
And Multa-flora spread her countless roses,
And never poet sang nor minstrel rhymed
Romantic scene where happiness reposes,
Sweeter to sense than that enchanting dell
Where home-sick memory fondly loves to dwell.
Beneath a mountain’s brow the cottage stood,
Hard by a shelving lake whose pebbled bed
Was skirted by the drapery of a wood
That hung its festoon foliage over head,
Where wild deer came at eve unharmed, to drink,
While moonlight threw their shadows from the brink.
Public-domain text, read in full here on John Shaqi.
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