Graham's Magazine, Vol. XXI, No. 4, October 1842Various
General
Graham's Magazine, Vol. XXI, No. 4, October 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
We are looking to the north—your hand rests on the mouldering beams
which form a side railing to the bridge, and as your eye is lifted from
the deep waters at our feet, where they circle and whirl around the dark
and sodden supporters, it is caught by one of the most beautiful
waterfalls that ever cooled the summer air with its spray. A little up
the stream, it foams and flashes over a solid ledge of rocks like an
army of laughing children romping together and running races in the
sunshine. Now and then you catch a flash of prismatic color just
beginning to weave itself amid the water-drops that are forever flashing
up as if to provoke the sunshine into forming a rainbow, and then your
attention is drawn away by the wreaths of snowy foam and the thousand
dimpling whirlpools that form beneath the fall and melt idly upon the
more quiet waters long before they reach the dark shadow flung downward
from the bridge.
Is not that a magnificent bank stretching along the river’s brink far
above the fall?—here, looming up in a broken mass of rocks—there,
falling with a gentle slope to the water’s brink, sometimes cut into
defiles and hollows by the rivulets that feed the brook, and everywhere
covered with the quivering green of spring, the feathery red
maple—wild-cherry trees, white with spring blossoms, and whole thickets
of starry dog-wood flowers all tangled and luxuriating between sun and
water. With what majesty the bank sweeps back at the fall, giving
breadth to the valley below and hedging in, with its green rampart, this
beautiful little plain with its fine grove which lies on our left,
nestled almost entirely within its shadow! Now look down the stream.
Follow the bank as it curves inward again, encompassing the rich surface
of level ground in a semicircular sweep, till it terminates down the
stream yonder, in a pile of rocks and foliage, half hill half mountain.
There the river joins it again—winds around the precipice which forms
its base, and is lost to sight, as if it terminated amid the dense
shadows which lie sleeping there. Did you ever see anything more superb
than that lofty pile of rocks and verdure, standing out over the very
river, like a glorious old garrison guarding the passage? Its topmost
trees are lost in a pile of fleecy clouds—the steep surface is burdened
with foliage, and beautifully broken up with lights and shadows. See the
sunshine flickering over those massive rocks and kindling with its
silvery light the grape-vines that creep among the young trees, rooted
in the clefts. A picturesque feature, in our sketch, is that old
Castle-rock, and many a holiday have I spent, with a troop of
school-mates, amid its clefts, piling up the rich mosses we found there,
gathering honey-suckle apples, and sometimes doing terrible execution on
the poor garter-snakes that crept harmlessly from their nests to sleep
in the sunshine.
Public-domain text, read in full here on John Shaqi.
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