Graham's Magazine, Vol. XXI, No. 4, October 1842Various
General
Graham's Magazine, Vol. XXI, No. 4, October 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
I have always been accustomed to think that the murder scene of Macbeth
involved one of those violations of probability so often found in works
of fiction. It seemed that the murder, which is committed as soon as the
guests in the castle are asleep, could not very well be interrupted by
the knocking of Macduff entering in the morning to awake the king. This
objection, like most of those advanced against the inspired bard,
disappears upon a closer examination and the supposed fault turns out to
be an exquisite beauty. Inverness is in a very northern latitude, and in
the summer (the season in which the crime is perpetrated) the day dawns
almost as soon as the night falls. I have never been more struck with
the beauty of nature than while watching the coming on and passing away
of one of these northern summer nights. The change is so brief and
lovely—the sun sets so lingeringly and leaves behind him such a heaven
of mild and scarcely fading glory, the stars come forth so sparklingly
and in such small numbers, and the pale silver opening of day rises in
the east so soon after the world has fallen under the shadowy silence of
the night, that, to one who has only seen the nights of lower latitudes
and who associates ten or twelve hours of darkness with every revolution
of the globe, it appears almost the luminous change of some heavenlier
planet.
That Macbeth’s deed is committed in this season, we learn from the scene
already noticed of the previous day when the king enters the castle and
remarks, for the last time, the soothing effect of the summer air upon
his senses.
I do not feel sure that all these corresponding beauties and proprieties
were intended by Shakspeare, and we have all often heard it questioned
whether he himself would not be surprised to see the exquisite things
discovered in his works. It is possible; but I do not think that alters
his merit, since the beauties really exist. In his advances into the
story he keeps everywhere nature and truth in view, and hence
consequences and effects of that wonderful proportion and perfection may
be visible to the reader not thought of in detail by the writer.
It is certain that, in the instance above alluded to, had the fatal
incident occurred in the _winter_, and had the murderers thus been
interrupted almost in the act by the incoming of Macduff and the
commencement of the routine of the subsequent day, there would have been
an inconsistency which does not now exist.
* * * * *
A NIGHT AT HADDON HALL.
BY THE AUTHOR OF “LETTERS FROM ANCIENT CASTLES.”
Public-domain text, read in full here on John Shaqi.
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