Graham's Magazine, Vol. XXX, No. 1, January 1847Various
General
Graham's Magazine, Vol. XXX, No. 1, January 1847
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
But among these her attention was directed in surprise to a
conspicuous pedestal, deficient of its statue, whereon was engraven in
large letters, on the granite of its base, the name of “Angelica
Kauffmann.” Looking up at the same moment to the vast sky-blue dome
above her head, she saw blazing directly over the vacant pedestal a
large, bright, solitary star, that lighted the whole temple with its
radiance. After a long riveted gaze toward it, she became slowly
sensible of looking on the true sky, from which the sunset and the
twilight had now quite faded, abandoning it to the deep cobalt blue of
the approaching darkness. The statues had vanished; the pillars had
resolved themselves into the surrounding trees of the landscape; and,
instead of the temple, were the familiar features of the scenery, though
now almost lost in the darkness, she had gazed upon before falling into
slumber. Every thing had vanished except that bright, solitary star,
which, though now restored to complete consciousness, she continued to
gaze upon with eyes riveted by wonder and delight. Familiar with the
geography of the heavenly world, she was wholly unable to account to
herself for the appearance of this particular star, which differed in
position and lustre from any of the heavenly bodies she had hitherto
been familiar with. It was evidently some new comer, and the girl
thought to herself of those presiding stars that were of old said to
arise over the destinies of the great ones of the earth, and
dreamed—who can tell in that hour—wild dreams to herself of future
glory and renown.[3]
-----
[3] This seemingly supernatural orb was probably one of those since
classed under the catalogue of “Variable Stars,” which disappear for
stated periods, and then become visible again, to blaze for a short time
with extraordinary lustre.
PART II.
Public-domain text, read in full here on John Shaqi.
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