Graham's Magazine, Vol. XXX, No. 3, March 1847Various
General
Graham's Magazine, Vol. XXX, No. 3, March 1847
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
There was one unique, whom I hardly dare attempt to describe. In
speaking he deals principally in antithesis, and he himself is an
antithesis personified. The wildest conceits—the sharpest satire—the
bitterest, maddest vituperation—the most exquisite taste—the most
subtil appreciation of the delicate and beautiful in his subject—the
most radiant wit—the most dainty and Ariel-like fancy—with a manner
and a mien the most quaint, abrupt and uncouth imaginable—it is like
nothing in nature, or rather it is so exceedingly natural that it seems
almost supernatural. His discourse is all thunder and lightning—every
play of his impish eye-brows is an epigram, every smile a jeu d’esprit.
At one time affectionate, confiding, careless, buoyant, almost boyish in
his mood; at another, irritable, ferocious, seemingly ready for a
tiger-spring upon any foe, and again calm, cold, haughty, and
uncomeatable as an Indian of the olden time. Here is a stranger original
than any his favorite author ever drew. He is the ideal Yankee of the
nineteenth century.
There, too, nestled demurely in a corner of the sofa was that little
“will-o’-the-wisp,” V—, whom nobody knows what to make of—wild,
wayward, capricious as an April day—changeable as the light
spring-cloud, and restless as the wave—the spoiled child of Fancy,
“Dowered with the hate of hate, the scorn of scorn,
The love of love!”
To those who care for her, all trust and truth, and poetry and sportive
fondness, and deep impassioned feeling—to all the rest of the world
proud, still, reserved, dull, apathetic, reckless of opinion and of
consequences: a tame Canary-bird to kindness, a lioness to injustice and
oppression. Nature, with her sympathetic ink, has drawn pictures in her
soul, which seem to the cold and careless only pale, frost-work, wintry
views; but which, in the warmth of affection, change to glowing summer
scenes, with flowers and foliage, and gleaming springs, shifting clouds,
and singing birds and butterflies, all of which were always there, and
needed only the summer of sympathy and love to draw them out.
By her side sat the man of exhaustless and most whimsical wit, whom
_she_ calls the “laughing philosopher,” and whom _I_ strongly suspect of
having found, and selfishly concealed the “philosopher’s stone.” He is
the most refreshing, contented, and sunshiny-looking mortal that ever
smiled in this cold world of ours. Ever ready and brilliant, he whispers
his irresistable bon-mots and his charming jeux d’esprit, as if he were
ashamed of them, and calls it a breach of confidence if they are
repeated aloud.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account