Graham's Magazine, Vol. XXX, No. 6, June 1847Various
General
Graham's Magazine, Vol. XXX, No. 6, June 1847
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Ernest scarcely started, but begged for the paper, and to be left alone.
His course was fixed. . . . . . . .
The bride and bridegroom approached the altar! Ah! never was there a
sadder bride—the roses that were placed upon her brow were not more
pale than she. Life held but a slight tenure in that fair form, for the
hectic spot upon her cheek betrayed that the grave was not far distant.
The priest had raised his voice to breathe the prayer that was to join
their hands forever, when a form was seen hastening up the aisle, with a
tottering and uncertain step—he approached the altar; with a wild,
haggard and death-like look, gazed upon the bride, and uttering her name
sunk at her feet. The poor girl shrieked out, “Ernest!” and swooned in
the arms of her bridemaids. She was carried to her home, never to stir
from thence, but to a quieter home—the grave. Moreton, who had left his
sick couch to meet her at the altar, was removed to his dwelling, and
for three days remained in a state of listless stupor. On the fourth
day, a note from Adeline, begging him to come to her, roused him from
his lethargy, and, reckless of consequences, he complied with her
request. With a beating heart he entered the house; he found her
reclining on a couch, with the traces of recent tears upon her cheeks,
and very, very pale. On seeing him a bright smile irradiated her
countenance; he approached not—anger and love were struggling in his
breast for mastery. She held out her hands to him and murmured, “dear
Ernest!” Love had triumphed! he was kneeling by her side. Then came that
outpouring of the heart—that blissful confidence; sighs, tears, and
deep regrets spoken by each, removed ages of sorrow from their hearts.
On the disastrous termination of the wedding, the faithless servant,
conscience-stricken, disclosed the whole of the scene of heartless
treachery acted by her at the instigation of the villain Arlington. How
she, assisted by him, had intercepted letters; written others in their
place, and, by a system of the most artful deception, contrived to make
Moreton appear despicable, and to raise Arlington, in the estimation of
Adeline. The continued illness of Moreton materially assisted their
plot, as he could not defend himself. His guilt and falsehood were made
so apparent, that Adeline could not doubt their existence, and with a
woman’s heart, as quick in revenge as in love, and unswerving in both,
in mortified pride and wounded feelings, she gave her consent to marry
her cousin. But now all doubts were at an end, and they could smile
again and hope for the future.
Public-domain text, read in full here on John Shaqi.
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