Graham's Magazine, Vol. XXXI, No. 3, September 1847Various
General
Graham's Magazine, Vol. XXXI, No. 3, September 1847
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Professor Upham has performed a service to literature as well as
theology by his present work. It is an account of a remarkable woman,
carefully following the statements contained in her own autobiography,
and written in a style of sweet serenity, in which the very spirit of
Madame Guyon seems mirrored. No one can read the book without having his
knowledge of the higher and subtler phenomena of the mind extended. It
exhibits a human soul in that state of religious exaltation, where every
thing is viewed in its relation to God, and all the evils of life taken
as proofs of God’s love. The delineation is not ideal but actual. Every
step in the upward progress of her soul is minutely marked, and the
whole phenomena of her consciousness laid open to inspection. The value
of the book is enhanced by the clear revelation of an order of feelings
and thoughts, which are too commonly overlooked in treatises on
metaphysics and theology. Goethe must have studied the character of
Madame Guyon very attentively, before he ventured upon the delineation
of the devotee in Wilhelm Meister.
* * * * *
_The Autobiography of Goethe. Edited by Parke Godwin. Parts III.
and IV. New York: Wiley & Putnam._
The present volume completes this most valuable work, now for the first
time “done” into good English. No better period for the successful
publication of the book could have been selected. The character and
writings of Goethe are now continually made the subjects of eager praise
or fierce invective, even among classes of readers whose curiosity
rarely extends beyond the last novel. Much both of the praise and blame
squandered upon the great German is directed against a mere man of
straw, bearing little resemblance to the real object. Few of the
vehement writers and talkers about Goethe have taken upon themselves the
task of reading and investigation. His autobiography presents the man
and his mind as they appeared to his own consciousness, and certainly
constitutes one of the most remarkable biographies in literature. It is
Goethe’s portrait drawn by himself, and done with matchless skill. It is
worthy of the most profound study. We should pity the person who could
carefully meditate it without having his knowledge of human nature
increased. That vast mind here discourses of itself with the simplicity
of a child.
* * * * *
_Morceaux Choisis des Auteurs Modernes. By F. M. Rowon. Revised,
Corrected and Enlarged by J. L. Jewett. New York: D. Appleton &
Co. 1 vol. 12mo._
Public-domain text, read in full here on John Shaqi.
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