I did not dare to refuse, but accompanied her to a quadrille, (cotillions, we called them in those days,) just forming near us, feeling as awkward and shy as a home-girl might be expected to feel, thrown, for the first time, in a crowd of nearly a hundred girls. The first figures of the quadrille I danced awkwardly enough, giving my little partner good reason to think I did not know my right hand from my left; but I soon forgot my _mauvaise honte_, in the pleasant chatting of the little Lolah, who told me of all the little enjoyments she had. Her “_chère tante_,” as she called Madame Lalande, had taken her the night before to an Opera, for the first time in her life; and, of course, her little head was filled with recollections of it. She described, with French volubility, and in a most graphic manner, the story of the Opera, the different _scènas_, and the dresses. I was so new to all such things, that I suppose she could not have found a more agreeable listener in the whole school; and we were mutually pleased with each other. We danced every quadrille together; and she most patronizingly waltzed with me in a corner of the drawing-room, until I could summon sufficient courage to venture in the large circle in the centre of the rooms. At ten o’clock we bade good night to each other, she promising, as her cherry lips kissed affectionately my mouth and cheeks, that she would persuade _chère tante_ to take me some night with them to the Opera—a promise which she kept. From that night I no longer felt lonely in the school—Lolah was my companion. Though a year or so my junior, she was quite as far advanced in mind; and we were thrown a great deal together in our studies, and with the easy confidence of childhood, we became bosom friends. Lolah was a great favorite in the school. The elder girls courted her for her influence with the Madame and the governesses, and the younger ones gathered around her because she was always merry, kind, and generous. She was a darling little creature—exceedingly pretty. She had full, large, dark eyes, an oval face, with a rich brunette complexion, and glossy hair, black as night. Her figure was slight, but perfectly formed; and she was the most graceful child I ever saw. The little queen of the Viennoise corps, darling little Fanny Prager, always reminds me of Lolah. She is not so pretty, but her graceful movements, her evident superiority over the rest of the _troupe_, her commanding little step, her apparent freedom from vanity, and her cleverness in forming the different tableaux and groups, bring Lolah to my mind; and while looking at her, I find myself loving the child as I used to love Lolah Lalande in my school days.