Graham's Magazine, Vol. XXXI, No. 5, November 1847Various
General
Graham's Magazine, Vol. XXXI, No. 5, November 1847
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Spring—delightful spring has returned—and all nature looks as sweet as
the lips of a lovely woman. The trees upon our side-walks, and in our
beautiful squares, are once more covered with green and shady foliage,
and from the windows of high houses hang handsome cages, from which
those warbling prisoners—the mockbird, and the troupial, and the linnet
and canary bird, send forth their dulcet notes, filling the streets with
music and melody.
Fashionable ladies are beginning to make their appearance in the
streets, unattended by gentlemen, as it is the shopping hour, and
gentlemen would be only in the way. From the door of an elegant mansion
in the upper part of Chestnut street issues a graceful and beautiful
girl, who is proceeding down the street toward the busier part of the
city. She does not loiter nor look in at the shop-windows, as ladies
generally do at this hour, but walks nimbly along as though she came
forth upon some preconceived errand. As she nears that part of Chestnut
street which is in the neighbourhood of the State-House she lessens her
gait, and walks more leisurely. She is heard to soliloquize—
“In truth, it is as much as my courage, nay, even my reputation is
worth, to enter the studio of my sweet painter thus alone; but what can
I do, since the dear fellow has been banished from our house by the
aristocratic notions of my mother? Well, I shall risk all for him, as he
would for me, I know. How happy it will make him to hear my errand. Only
to think that I am forced to an elopement, or marry that ninny whom my
mother has chosen for me. But I shall elope—I _shall_. Henry has so
often proposed it—how happy he shall be to hear me consent; but I shall
do it in my own way—that is fixed. Henry will laugh when I tell him of
my plans. Some one may be with him at this moment, and deprive me of the
pleasure of conversing with him; but then it is all written here, and I
can see him soon again. ‘Henry Willis, Miniature Painter.’ Yes! this is
the sweet fellow’s place—no one observes me enter.” So saying, the
graceful girl entered a huge hall, the door of which stood open, and
passing up a flight of steps, she tapped gently with her small gloved
fingers upon the door of a chamber, upon which was repeated, in gold
letters, the same words that were exhibited in front of the building—
“Henry Willis, Miniature Painter.”
In a moment the door opened, disclosing within the studio of an artist,
the artist himself, a fine looking youth, with dark hair and slight
mustache, and dressed in his painter’s blouse, while in the back-ground
could be seen a prim, stiff old lady in high cap and curls, steadily and
rigidly sitting for her portrait.
Public-domain text, read in full here on John Shaqi.
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