Graham's Magazine, Vol. XXXI, No. 6, December 1847Various
General
Graham's Magazine, Vol. XXXI, No. 6, December 1847
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
There are some, perhaps, whose hearts have never yet felt the power of
love, who rail about love at first sight as a theory too ridiculous to
dwell upon—a chimera only originating in the heads of romantic
school-girls and beardless shop-boys; very well, let them have it so; I
only assert that both Louisa and the artist, at that first interview,
were favorably impressed; and that a brief intercourse under the same
roof cemented their young hearts with all the strength of a first and
truthful affection. Love (himself a sly artist) traced each on the other
a heart in fadeless tints. Sincere and unselfish was the love which
Walter Evertson had conceived for Louisa; a love which he intended to
bury within his own throbbing breast—for he dared not flatter himself
that it would be returned—she, the heiress of thousands—he, the poor,
unfriended artist. Vain resolve! It was the evening with which this
chapter commences, that, in an unguarded moment, he had revealed to her
his love, and received the blest assurance of her own in return. But
their cup of joy was even then embittered by the consciousness that her
father, in his cold, selfish nature, would tear their hearts asunder,
even though he snapped their life-strings.
In the meantime the business which had brought him to the villa was
being accomplished. Mr. and Mrs. Oakly saw themselves to the life on
canvas, and now it only remained to consummate his work by portraying
the features of Louisa. Delightful, yet difficult task! Mrs. Oakly had
so far aroused herself from her usual lethargy, as to insist that the
figure of Louisa herself should be but secondary in the picture about to
be executed. She was tired, she said, of those stiff, prim figures on
sombre-tinted ground, looking out from gilded frames with eye-balls ever
coldly glaring upon one, and would have a large painting of rare design
and skill—woods, fountains, birds, and flowers, to relieve the form and
face of Louisa from this dull sameness. Various were the sketches
brought forward for her approval; and whole days, which Evertson wished
might never end, were spent in vain endeavors to settle upon some one of
them for the purpose. Accident, however, at length furnished the desired
_tableau_ although it would be doing injustice to Evertson to imply that
he lacked talent or originality—fine as were his sketches, they failed
to please Mrs. Oakly, because—she would not be pleased.
Public-domain text, read in full here on John Shaqi.
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