Few novels published within the last ten years have made so great a stir among readers of all classes as this. The Harpers have sold a vast number of their cheap reprint, and we have here to notice its appearance in the old duodecimo shape, with large type and white paper. That the work bears unmistakable marks of power and originality cannot be questioned, and in a limited range of characterization and description evinces sagacity and skill. The early portions of the novel are especially truthful and vivid. The description of the heroine's youthful life--the exact impression which is conveyed of the child's mind--the influences which went to modify her character--the scenes at the boarding-school--all have a distinctness of delineation which approaches reality itself. But when the authoress comes to deal with great passions, and represent morbid characters, we find that she is out of her element. The character of Rochester is the character of a mechanical monster. The authoress has no living idea of the kind of person she attempts to describe. She desires to represent a reckless man, made bad by circumstances, but retaining many marks of a noble character, and she fills his conversation with slang, makes him impudent and lustful, a rascal in every sense of the word, without the remotest idea of what true chivalric love for a woman means; and this mechanical automaton, whose every motion reveals that he moves not by vital powers but by springs and machinery, she makes her pure-minded heroine love and marry.