Here is a good book, full of practical instruction, and of information that makes other knowledge practical. A German writer, a good man, has brought a well-stored mind to the task of preparing a volume that shall give the great authors on natural study, without the minuteness of a class-book, or the elaborate development of a thorough treatise. He has opened up the beautiful operations of Nature and her works, and has not neglected to recognize the soul as the antecedent of the body. So that while one is studying about the mighty gatherings of mineral wealth, the wonderful effects of chemical operations, and the instincts of animal life, he is constantly kept above his theme by the declared truth of his superiority to all these, in the possession of an immortal soul. A Christian American has given the work in an English form—good, pure, simple, expressive English—no Germanisms to offend the ear—and yet an occasional adaptation of a German mode of expressing thoughts shows the intimacy of the translator with the original, and his power to select the most expressive forms. In this volume man is considered, and his power of mental and physical existence developed. The outreaching of the human mind is regarded as worthy of consideration, and lessons of usefulness derived therefrom. The volume before us is admirably suited to the classes of our public schools and to the general reader—and when furnished as it will be with a set of questions suited to the text, it will be a handbook for the classes, of immense usefulness. * * * * * _Poems. By Charles G. Eastman. Montpelier: Eastman & Danforth. 1 vol. 18mo._ This volume is a collection of songs and short poems from the pen of one of the ablest political editors in Vermont. The book shows that the author’s heart is in what is called the right place, in spite of the stir and fret of politics. The characteristic of the volume is simplicity in the expression of emotion. There is no parade of ornament, and very little fanciful decoration, but the author contrives still to express a variety of moods in a most genuine way. The verse has a spring and elastic vigor in its movement, which continually suggests the notion of impromptu composition. The finest poem in the volume is the first, entitled “The Picture,” and certainly no poet could begin a collection with a piece more calculated to propitiate the reader, and make him look lovingly on what follows. * * * * * _Foot-Prints. By R. H. Stoddard._