Graham's Magazine, Vol. XXXIV, No. 2, February 1849Various
General
Graham's Magazine, Vol. XXXIV, No. 2, February 1849
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
When she had been some months at uncle Waldron’s, it became very evident
to _us_, quizzical spies of _cousins_, who took great pleasure in
spending a few weeks with her now and then, that she was more interested
in the society and person of the Rev. Robert Greydon, than she was
really willing we should discover. She hushed our impertinence in a
moment, if we undertook to rally her on the subject, by a peculiarly
imploring expression of countenance, which only made us think so all the
more. Mr. Greydon, as has been already intimated, was the clergyman of
the church where uncle Waldron worshiped. Cousin Sara had often declared
that she would not marry a _clergyman_ or a _widower_. Mr. Greydon,
though still a young man, united in his person _both_ those
disqualifications, so we managed, in the face of all indications to the
contrary, to conclude that we had nothing to fear. If he had _not_ been
a widower and clergyman, we should have chosen him, out of all the
world, for Sara’s husband—for he possessed all those rare and
invaluable excellencies of character, which Sara deserved, if ever a
lovely woman did, in the man of her choice.
Mr. Greydon was a very prudent man in his pastoral and social
intercourse. He did not wish to give the “silly women” of his parish,
who, as in duty bound, would keep a very faithful look-out after him,
any occasion to tattle—but the arrangement of the German lessons was
just the thing—it afforded him the most unimpeachable excuse for
enjoying Sara’s society without sounding an alarum in any body’s ears.
CHAPTER III.
“I would not light the lamp yet, Miss Hastings—this moonlight is so
magical,” said Mr. Greydon, as he sat in the bay window of uncle’s
drawing-room, one glorious evening in early summer. Indeed it was as
lovely an evening, and as fair a scene, as pencil of artist ever aspired
to sketch. I was sitting on the broad piazza, trying what my tyro pencil
could do with a landscape so wonderfully beautiful.
“You are sad, to-night, Mr. Greydon,” said Sara, desisting from her
purpose, and taking a chair by the table that had been drawn near the
window.
“No—not _sad_ exactly, Miss Hastings—only of a _doubtful_ mind,”
replied Mr. Greydon.
“Indeed!” gayly responded Sara—“but that must not be—it is expressly
_forbidden_ in Scripture and—”
“I know it Miss Hastings,” interrupted Mr. Greydon, with forced
playfulness in his tone, as if he were determined to rally himself—“but
it does not respect any matters of _doctrine_—rather of _practice_, I
might say. _You_ are always so cheerful and light-hearted, Miss
Hastings, it is almost a sin to be moody in your presence.”
“If I had the burden of a pastoral charge”—Sara checked
herself—“indeed, I fear it is the advantage of circumstances rather
than of temperament, Mr. Greydon,” she concluded.
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