“Paul Talbot is in the city of wonders. Ivy-girdled ruins of the time-embalming Past are lying in the distance. Lofty cathedrals, rich in votive offerings of surpassing magnificence, surround him on every side. Stately palaces, their long galleries filled with the noblest works of the mighty minds of old, are baring their treasures to his gaze. The ‘dew-dropping coolness’ of the marble fountain, breathes new vigor into his frame. He is excited—bewildered—‘dazzled and drunk with beauty,’ and for weeks Paul wandered about Rome and its environs, half forgetful that his lot was still to struggle and to toil. “When roused to action, he threw himself heart and soul into his art, and the consequence was a long and severe illness, brought on by that absorbing devotion which often kept him at his pursuits until the morning dawn peering into his room reminded him that he was weary and overtasked. For months he lay wasted by sickness, helpless at times as a feeble child, but nature triumphed over disease, and he wandered once more beneath the blue sky, and felt the kiss of the balmy air upon his pallid cheek. “With a return to health, Paul returned with renewed ardor to his task, until the picture on which he had long and earnestly labored was at length completed. He had chosen for his subject a scene representing the Hermit Peter exhorting the people to join the crusaders. Standing in the midst, with one arm outstretched, and the other raised to heaven, was seen the enthusiast. On either side, were grouped mailed knights and stalwart forms, the tillers of the soil. One gentle lady, like the weeping Andromeda, was clinging to her lord, and a villager’s wife held up her child for his father’s last fond kiss. So animated and life-like was the figure of the preacher—so eager and intense the emotion betrayed by the assembled multitude—that you listened to hear the eloquence that roused all Europe, and sent prince, peer, and peasant to rescue the holy sepulchre from the hand of the Infidel, to cast down the crescent of Mohammed, and to raise the cross of Christ. “And now came that fame for which the young painter had toiled, and to which he had looked forward as his highest guerdon. Crowds were daily drawn to his _atelier_, and artists who had themselves won a world-wide renown, bestowed their warmest praises upon the ‘Hermit’ of Paul Talbot. “The following winter Paul passed in Florence, and there his picture was purchased by a Florentine merchant, at a price which relieved the artist from fear of pecuniary embarrassment. Paul was requested to visit the house of the merchant, and select the most fitting place to display the work of which the fortunate possessor was so justly proud. He went, and in the picture-gallery of the wealthy Florentine was opened a new page in the artist’s book of life.