Perchance e’en now thy many faults Stand in some wand’ring brother’s road, That but for _thee_ his feet would tread The path of wisdom and of God— Who, but for _thee_, or for thy sin, A victor’s glorious crown might win. Oh! none there are whose deeds and words May not exert an influence wide, There is no hand that hath not strength Some wand’rer from the way to guide: No voice with tones too weak to bless Some hapless brother in distress. * * * * * HONOR TO WHOM HONOR IS DUE. A TALE OF OLDEN TIMES. BY MRS. LYDIA JANE PEIRSON. Grenada had fallen. The miserable remnant of a once powerful nation, driven from the cities of their glorious empire, hunted by an untiring zeal to destroy, crowded at length into their chief stronghold, the city of their regal power—the birth-place and the sepulchre of a long race of puissant monarchs—had endured all the miseries of siege, of famine, and of slaughter; had endured with an invincible determination to die rather than yield; and they had died by the sword, by hunger and thirst, by despair, by pestilence; and their rich and magnificent city had been sacked, plundered, ravaged, made the prey of soldiers, greedy for spoil, thirsting for the blood of an infidel foe, exasperated by resistance, and maddened by fanatical zeal. Grenada had fallen; the Moors were no longer a nation of the earth. Ferdinand and Isabella, weary of war, and satiated with conquest, were reposing in state at Santa Fe, or San Felipe, with every demonstration of triumph, every show of thanksgiving to the God of battles. The days were divided between the most gloriously marshaled tournaments and the most magnificent religious processions; the nights were devoted to the masquerade and the mass; the whole world seemed vocal, now with strains of triumphant martial music, now with the no less lofty Te Deum, or Gloria in Excelsis. All was joy and gladness, triumph and gratitude. The temporary palace was shining like the fabled palace of Aladdin, builded of the gold and gems of the genii world. In all the apartments the magic of regal magnificence was displayed in the taste of the most approved style of art. Tapestries of regal blue and Tyrian purple, broidered and fringed with scarlet, green and gold, in the inimitable style of the artists of Babylon, swept from the lofty ceilings to the velvety carpels of the marble pavements which were rich with tufted work of flowers of every hue, while in the recesses of the windows, where the tapestries were looped aside with cords of the richest dyed and braided silks, entwined with strings of glittering gems, and heavy with tassels of feathery silk and drops of gold and