But the wonder of the book, and the quality which will give it a permanent place in American literature, is the sure and fine audacity with which it brings the supernaturally beautiful and the supernaturally terrible into vital relations with human life, without any shock or jar of the unnatural to disturb the exquisiteness of the combination; and this is done in a manner purely original, awakening no reminiscences of German or English supernaturalism, and giving unmistakable evidence of being drawn from the writer’s own life and mental experience. Indeed, by the very constitution of her mind, Mrs. Smith seems to see things in their spiritual relations; consequently she not only looks at things and into things, but she looks through them, and discerns the supernatural region from which they proceed and on which they depend. This vision into a sphere _above_ sense, is accompanied by an imagination of sufficient force to shape what she sees into a form palpable _to_ sense, and thus to reach the mystical elements in other minds through their sensuous imagination. This vision and this faculty are possessed by all high and powerful natures, and the test of the reality of the powers is in the originality of the products. Similarity, even when it does not approach plagiarism, indicates the intervention of another mind, and by suggesting spectacles casts ominous conjecture on the soundness or reach of the eyes. Now the supernatural, as it appears in this volume, is strictly individual and peculiar, evidencing that the authoress has herself contemplated, face to face, the spiritual truths she has embodied. While the present story is thus eminently a work of creative imagination, working in the region of the supernatural, and ranking “strange combinations out of common things,” it is at the same time intensely human, touching at every step on some affection or aspiration of the human heart, and full of the glee and gloom of our common life. As every thing is realized to the eye and imagination, and the vital relation between the natural feeling and the preternatural agencies is clearly represented, the reader is conscious of no unharmoniousness in the general impression left on his mind by the whole work, but simply feels as though he had been brought nearer to the life of things, and discerned evil and good in their spiritual natures. With a power of thought, as felicitous in its delicacy as in its strength, moral beauty and moral deformity are both seized in their intrinsic principles, and embodied in such a manner that the material form ceases to be the veil and becomes the vehicle of the nature it encloses.