Graham's Magazine, Vol. XXXIV, No. 5, May 1849Various
General
Graham's Magazine, Vol. XXXIV, No. 5, May 1849
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Away with care! Bring in the violin and minstrels! was the cry. A mania
for the dance pervaded all society. High and low, aristocrats and
people, antiques and moderns all danced. The chapel of the old Carmelite
convent became a ballroom, and the Jesuits’ college a place of
festivity, as did also the convents of _Saint-Sulpice_ of the _Filles de
Saint-Marie_. In the _guinguettes_ and in the most elegant society all
danced. “If the traces of crime and degradation were seen every where
else,” says a writer of that age, “a man of taste had at least the
consolation to find in these brilliant assemblages society not unlike
that which made Paris once the wonder of the world. The winter-balls are
the asylum of good taste, elegance and propriety. In them a young man
may purify himself by the spectacle of triumphant VIRTUE.” Yet the only
requisite to admission to these balls was a subscription of 96 francs,
(about $19.20.) A cotemporary thus describes one of the most celebrated
of these reunions, that at the Hotel Richelieu, in a manner to make us
skeptical about the virtue. “It is,” says he, “an arch of _transparent
robes_ of lace, head-dresses of gold and diamonds. A subscription is
required, and the visiter is ushered into the society of perfumed
goddesses, crowned with flowers, who float about in Athenian robes, and
receive the lisping flattery of the _incroyables_, who prate of their
_parole d’honneur_.” It need not be said this is a mere _phase_ of
Parisian society, fortunately not reflected by the rest of the world.
The ball of the Opera was revived, and to it we must look for the most
striking specimens of costume. The plain black domino exclusively worn
at such places during the monarchy had disappeared, and was replaced by
a similar garment of the most striking colors. Turks, Chinese and the
old traditional characters were exiled to the places of popular
amusement, and the great room of the Opera was filled with Caius Marius,
Dentatus, Cicero, Mutius Scævola, Pericles, Lycurgus, Cymon and
Herodotus. The charm, however, was gone; the new society had no
traditions; the people composing it were almost ignorant of each other,
and the playful badinage of which the old balls had been the scene was
lost forever. The _Jeunesse Dorée_, as the courtiers of the Directory
and Consulate were called, frequented these balls most faithfully, but
the old prestige was destroyed, and families were not seen as they had
been in the days of old.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account