Graham's Magazine, Vol. XXXV, No. 1, July 1849Various
General
Graham's Magazine, Vol. XXXV, No. 1, July 1849
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Uncle Tom was not rich, but he had enough to satisfy all his wants. He
had always lived with us since my remembrance, and we all had a
mysterious love and veneration for him, which we could but half explain.
His little room on the south-west corner of the house we never entered
without a special invitation; not because we stood in any fear of him,
but because we respected his quiet, half-eccentric manner, and were not
willing to disturb his solitary studies and meditations. We were often
invited there of an evening, for Uncle Tom liked to have young, happy
people around him. He used to say it made him young again, and caused
his silver hairs to hide themselves; and he thought a man should always
have the heart of a child, no matter how much experience and life-labor
had whitened his head.
During our visits to his study, we were at liberty to handle every thing
which came within our reach, and the room was generally in a sweet
confusion when we left it. Yet this did not trouble him, it rather
pleased him the more. In truth he was so good-natured that nothing could
vex him; and I remember one evening when he pulled sister Ruth’s doll
out of his great horn inkstand, where it stood, heels upward, like a
pearl-diver, his only exclamation was, “Just as I used to be—children
all over!”
Directly opposite the great arm-chair, where he usually sat during the
day, hung a picture; yet it was not for us to see. A plain blue curtain
was always drawn over it, which hung as silently, and always in the same
folds, as if it had not been withdrawn for many years. I knew it was the
portrait of a young girl, and very beautiful; for one evening, when,
according to invitation, we were in the study playing the mischief with
every thing that came under our hands, a slight breeze from the west
window fluttered and raised the curtain, and revealed the picture to me
by the dim light of the study-lamp. I, of course, did not know who it
was intended to represent, but it was always connected in my mind with
the solitary path to the church-yard; and I always thought of her as the
Mary of the little gray stone; yet I never spoke of it to any one, not
even sister Ruth. It seemed something sacred, something which I ought
not to know, and that the knowledge thus accidentally acquired ought not
to be divulged by me.
Public-domain text, read in full here on John Shaqi.
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