Graham's Magazine, Vol. XXXV, No. 1, July 1849Various
General
Graham's Magazine, Vol. XXXV, No. 1, July 1849
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Our New Volume.—We do not think our patrons can fail to be pleased with
this the first number of a new volume of “Graham’s Magazine.” We confess
to feeling proud of it ourselves, and think we fully redeem the promise
we made to increase the claims of our periodical upon popular favor. No
similar publication, it may be confidently asserted, ever presented an
equal array of merits and attractions, whether the artistic
embellishments or literary contents be considered, and we know that our
good friends, the public, will award to us the meed of superiority over
all others, _nem. con._ But excellent as the opening number of the
volume is, the rest shall fully equal if not surpass it in beauty. We
have always held our position in advance of all competition, and the
ground shall be maintained. Let others do as they may, the subscribers
to “Graham’s Magazine” may rest assured that their favorite publication
will never degenerate or forfeit the proud distinction long ago
conferred upon it of being “The Gem of the Monthlies, and the Leading
Periodical in America.”
Our subscription list is rapidly increasing; new friends sending in
their names every day. This is an appropriate season to commence taking
the Magazine, and the novelties and new beauties we have in preparation
will render the current volume one well worthy of careful preservation.
* * * * *
REVIEW OF NEW BOOKS.
_H. Kavanagh. A Tale. By H. W. Longfellow. Boston: Wm. D.
Ticknor & Co. 1 vol. 12mo._
This volume has been very extensively read, has delighted almost every
reader, and yet has left on the minds of many a feeling of
disappointment. Considered as a novel, it must be admitted that the
story is but slight, the characters hinted rather than developed, and
the whole frame-work fragile; but it would perhaps be more fair to judge
it according to the purpose the author had in view in writing it, and
this purpose was evidently not the production of a consistent novel, but
the illustration of an idea through the forms of a tale. Mr. Churchill,
who is always meditating a romance and never producing one, and while
musing over the idea is unconscious of the romance developing under his
very eyes, is a good illustration of the motto of the work—
“The flighty purpose never is o’ertook,
Unless the deed go with it.”
The romance present to Mr. Churchill’s vision, but which he does not
perceive, is, to be sure, a common one, but none the less affecting
because it is common. It is a simple but quietly intense representation
of love in its two great expressions in life—the love which imparadises
and the love which breaks hearts; and it has no reference at all to
time, but is the universal fact of all ages.
Public-domain text, read in full here on John Shaqi.
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