Graham's Magazine, Vol. XXXV, No. 4, October 1849Various
General
Graham's Magazine, Vol. XXXV, No. 4, October 1849
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
“Come,” said Mr. Briggs—“Come, Mr. Dobbs, let’s hear what’s the matter.
Remember, young man, you are among friends; and if I can do any thing
for you—why, I’ll do it. Come, now, let out. Don’t kill yourself for no
trifle, young man.”
“I feel much obliged to you,” replied Timothy, “and will ask but one
favor. I cannot now tell you what ails me; but there is something in
this house which gives me great anxiety. I have long wished to make the
inquiry, but had not the courage. Tell me, then, what is the meaning of
that picture which hangs before me?”
“Zooks!” cried Mr. Brigs, “and is it the picture that has caused all
your bad feelings, Mr. Dobbs?”
“It is,” returned the schoolmaster; “and I wish to know what it means!”
The surprise of Mr. Brigs and Solomon may be better imagined than
described. The old gentleman drew out his red silk handkerchief and
rubbed his eyes, stuffed it into his pocket again, and stared with all
his might right into the schoolmaster’s face. Solomon stared also; and
laying down the book he was reading, prepared himself to hear something
strange. Mrs. Brigs and her daughter were before partially acquainted
with the cause of Timothy’s disease—at least, they knew that it sprung
from the oil painting in question. All was now deep interest, awaiting
the development of some wonderful discovery.
“Ah!” said Mrs. Brigs, “it’s a solemn thing that! It used to make me
sick to look at it; but it’s a long time since it was hung up there, and
I’ve got used to it. Still it sticks deep into my heart—it does! It
tells a sad story—but you shall hear it, Mr. Dobbs!” And Mrs. Brigs
began.
I will not give the reader the story in the very words in which Mrs.
Brigs gave it to Timothy; because that is impossible: for she paused
more than once to wipe away the big tears, and to sob; and was obliged
to commence afresh as many as three times before she satisfied herself
that she was in the right path, and had begun at the beginning. But, as
I said, she began, and the following is the substance of the narrative:
THE STORY OF THE PICTURE.
John Bloomfield, a merchant of London, was the father of two children,
to wit: Arthur Bloomfield and Polly Bloomfield, now Polly Brigs, wife of
Allen Brigs. He came to this country about two years anterior to the
commencement of the Revolution, and settled on a handsome country-seat,
near the place where now stands our village. Mrs. Bloomfield died during
the passage across the Atlantic; so John Bloomfield was a widower.
At the time of his migration Arthur was twenty and Polly sixteen years
of age. The latter was shortly afterward married to Mr. Brigs; and the
widowed father dying, Arthur determined to sail for the West Indies, for
the purpose of trading on the capital inherited from his father, which
amounted to some five hundred pounds sterling.
Public-domain text, read in full here on John Shaqi.
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