Ah, ’tis Lilla, ever charming, Soul-disarming, Gathers flowers, her hair adorning! Dearest Lilla, dost discover With thy lover Spring and Summer now returning? Flows for thee the tiny river, Cheerful giver, Early green and freshness bringing; Springs for thee the joyous morning, Heaven adorning, All the air with praises ringing. Shepherds, shepherds, to the chorus! See, before us, Binds with flowers her hair dark flowing— While our hearts all homage will her— Dearest Lilla, Sing her name with praises glowing! * * * * * THE FINE ARTS. NATIONAL ACADEMY OF DESIGN.—The twenty-fifth anniversary of this institution was held on the first of last month, at the new galleries, No. 663 Broadway, in the rear of the Stuyvesant Institute. It is extremely gratifying to the friends of Art to know that this excellent nursery of artistic talent has now suitable buildings for its accommodation, and the display of the productions of the painters of New York. It was only last fall that definite arrangements were made for the construction of this building, and already, as if at the bidding of the genii who ministered to the wants of our youthful friend Aladdin, it has sprung into existence. This result has been effected by the constant exertions and devoted attentions of the building trustees, Messrs. Durand, Cummings, Ingraham, Edmonds, Sterges and Leupp. The new edifice is situated in the heart of the fashion of the metropolis; the galleries are five in number, all intercommunicating, well lighted, airy, spacious and elegantly neat. The _coup d’œil_ of the whole, when filled with works of art for exhibition, will present one of the most animating and beautiful scenes which the city can afford. The artists of New York have a right to be proud of this edifice, and we do not doubt that the public will be equally proud of those splendid productions with which they will adorn its walls. At the advanced period, when we write this article, it is impossible to give any definite account of the present exhibition; but the notes of preparation, the foreshadowings and the glorious promise of an array of talented names, are the tokens that it will be of unusual brilliancy. Every exertion will be made to give _éclat_ to the opening, and more pains will be bestowed on this display, that its _debut_ before the public may be dazzling and defiant of criticism.