Graham's Magazine, Vol. XXXVI, No. 6, June 1850Various
General
Graham's Magazine, Vol. XXXVI, No. 6, June 1850
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Here we have, for the first time, a biography of Calvin, based on
original materials, and written by one who does not belong to the
Calvinistical sect. The volume is well written, is laden with important
information, and is exceedingly impartial. The digests given of Calvin’s
works in the order of their composition, and the copious extracts from
his private correspondence, conduct us close to the character of the
man. The real greatness of Calvin is more apparent in this work than in
any we have seen written by professed followers of his creed. The
chapters relating to Servetus have a dramatic interest as well as a
religious significance. It may be generally said in praise of the
volume, that no one who has not read it, is entitled to give a confident
opinion of the character of its subject.
* * * * *
EDITOR’S TABLE.
FASHIONS FOR THE MONTH.
EVENING DRESSES.—Blue satin robe, trimmed with six flounces, disposed
in threes, and raised with bouquets of blue tinted feathers. Low body;
in three pieces, with a point; berthe of two rows of lace; a bouquet of
three marabouts on the body; marabouts in the hair. Robe of white moire,
plain skirt: tunic of crape lisse, descending a little lower than the
knee, open in front, rounded at bottom, and trimmed all round with a
small wreath of roses; low body, with a point; crape berthe, rounded in
front, trimmed all round with a wreath, to match that on the skirt; a
bouquet in front; a coronet of roses in the hair.
A dinner dress, much in favor, is a robe of pink and white glacé
taffetas. The front of the skirt is trimmed with small ruches of narrow
pink and white ribbon, interlaced one with the other, forming an
_échelle_ of narrow _pompons_ wreaths. This trimming is carried up each
side of the body, which opens square _à la Louis XV_, and tied in front
with _Montespan_ bows in pink and white ribbon; the same kind of bow
fastens up the pagodes sleeves, which are trimmed with a double wreath
of ribbons; from the edge of the sleeve a double row of lace falls over
the naked arm. A lace, half the width, trims the top of the body above
the ruche. A rose is placed on the side of the head, or a little puff of
pink gauze ribbon, or a bouquet of marabouts on one side, and long ends
of ribbon on the other.
Public-domain text, read in full here on John Shaqi.
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