Graham's Magazine, Vol. XXXVII, No. 2, August 1850Various
General
Graham's Magazine, Vol. XXXVII, No. 2, August 1850
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
He admits no visiters—yet is his bounty never the less; for, like some
forest rill, which has its source hidden among the rocks, yet whose
presence revivifies and fertilizes all around it, so do the streams of
his bounty, flowing silently and unobtrusively, gladden and refresh the
hearts of the weary and destitute. He never goes out, except on the
Sabbath, upon whose sacred services he is a constant attendant, and may
always be seen in his suit of homespun gray, standing erect near the
choir, and beating time with his long, bony hand, to the music of the
psalms.
Upon the calm summer evenings, the notes of his violin are borne on the
gentle breeze to the ears of the villagers, and as the plough-boy hies
him to his task, with the early up-rising of the lark, he hears the
morning hymn of the forest choristers, accompanied in their notes of
praise by the music of _Apollos’ violin_.
* * * * *
[Illustration: Painted by Compte Calix
THE SISTERS.
Engraved by T. B. Welch expressly for Graham’s Magazine]
* * * * *
IMPULSE AND PRINCIPLE.
BY ALFRED B. STREET.
Two youths approached a torrent in their path;
One soft and fair, one eagle-eyed and strong;
Thoughtful the last, the first all mirth and song.
They saw two bridges o’er the torrent’s wrath;
One a rough tree-trunk from a rugged ledge,
Rugged to reach, uneven to the tread;
The other at their feet, all broadly spread
With flowers and mosses plumped from edge to edge.
On the green platform sprang the first like light,
Still loud in song, but in his midway flight
The green bridge broke, and down to death he fell.
The other, meanwhile, clambered painfully
The steep, and, nerving strong, crossed safe the tree.
Thus in Temptation’s hour, Impulse and Principle.
* * * * *
WORDSWORTH.
The death of this eminent poet, after an honorable and useful life,
prolonged to eighty years, will doubtless provoke a new conflict of
opinions regarding the nature and influence of his great and peculiar
mind. The universal feeling among all lovers of what is deep, and
delicate, and genuine in poetry, must be—
“That there has passed away a glory from the earth;”
and not until literature receives an original impulse from a nature
equally profound and powerful, will it be called upon to mourn such a
departure “from the sunshine into the Silent Land.” His death was worthy
of an earthly career consecrated by devout and beautiful meditations to
a life beyond life—his soul, so long the serene guest of his mortal
frame, meekly withdrawing itself at the end to a world not unfamiliar to
his raised vision here.
Public-domain text, read in full here on John Shaqi.
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